Panorama of the Chilean arts during the second half of the 19th Century: Debates, institutionality, and main figures
Panorama artístico chileno durante la segunda mitad del siglo XIX: Debates, institucionalidad y protagonistas
| dc.creator | Zamorano, Pedro Emilio | |
| dc.creator | Herrera Styles, Patricia | |
| dc.date | 2017-07-16 | |
| dc.date.accessioned | 2019-09-09T20:25:30Z | |
| dc.date.available | 2019-09-09T20:25:30Z | |
| dc.identifier | http://revistasacademicas.udec.cl/index.php/atenea/article/view/357 | |
| dc.identifier.uri | https://revistaschilenas.uchile.cl/handle/2250/104055 | |
| dc.description | The Chilean visual-aesthetics scenario during the second half of 19th century was characterised by the presence of some artists of strong leadership and influence. In this regard, the most paradigmatic examples were José Miguel Blanco and Pedro Lira, in whose relation it is possible to perceive the background of arguments and prominence that line up artists as well as other actors of the cultural institutionality. Thus, in under a narrow aesthetic scenario, relatively standardised by an academic grosso modo impression, the disagreements took an important place both in the institutional processes as well as in the writing record. In the context of confrontations, the visions and personal prominence were as important as the aesthetic-ideological differences. | en-US |
| dc.description | El escenario estético-visual chileno durante la segunda mitad del siglo XIX se caracterizó por la presencia de algunos artistas que ejercieron un fuerte liderazgo y ascendiente. A este respecto los ejemplos más paradigmáticos fueron José Miguel Blanco y Pedro Lira, en cuya relación es posible advertir un trasfondo de disputas y protagonismos que alinean a artistas y otros actores de la institucionalidad cultural. De este modo, en un escenario estético estrecho, relativamente estandarizado por una impronta grosso modo académica, las desavenencias ocuparon un lugar no menor, tanto en los procesos institucionales como en el registro escritural. En este contexto de confrontaciones pesaron tanto las visiones y protagonismos personales, como las diferencias ideológico-estéticas. | es-ES |
| dc.format | application/pdf | |
| dc.language | spa | |
| dc.publisher | ATENEA - Universidad de Concepción | es-ES |
| dc.relation | http://revistasacademicas.udec.cl/index.php/atenea/article/view/357/762 | |
| dc.relation | http://revistasacademicas.udec.cl/index.php/atenea/article/view/357/763 | |
| dc.source | Atenea; Núm. 515 (2017); 147-162 | es-ES |
| dc.source | 0716-1840 | |
| dc.source | 0718-0462 | |
| dc.title | Panorama of the Chilean arts during the second half of the 19th Century: Debates, institutionality, and main figures | en-US |
| dc.title | Panorama artístico chileno durante la segunda mitad del siglo XIX: Debates, institucionalidad y protagonistas | es-ES |
| dc.type | info:eu-repo/semantics/article | |
| dc.type | info:eu-repo/semantics/publishedVersion | |
| dc.type | Artículo revisado por pares | es-ES |
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