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Prometeo of Nikos Kazantzakis. The existencialistic dimension of myth

dc.creatorBrncic Becker, Carolina
dc.date2015-11-30
dc.date.accessioned2020-07-14T14:39:03Z
dc.date.available2020-07-14T14:39:03Z
dc.identifierhttps://byzantion.uchile.cl/index.php/RBNH/article/view/37828
dc.identifier.urihttps://revistaschilenas.uchile.cl/handle/2250/140880
dc.descriptionIn this essay about the dramatic trilogy Prometheus by Nikos Kazantzakis, it is analysed the recreation of myth as an esthetic resource allowing the author to show an existencialist conception of life. For that purpose a dialogue is established with the Aeschylos's tragedy who is the first poet to resort to this myth in a dramatic play.Then we analysed the reappropiation of myth carried out by Kazantzakis on the basis of an individual proposal, that describes an existencialist vision of man and life.en-US
dc.formatapplication/pdf
dc.languagespa
dc.publisherUniversidad de Chile. Facultad de Filosofía y Humanidadeses-ES
dc.relationhttps://byzantion.uchile.cl/index.php/RBNH/article/view/37828/39462
dc.sourceByzantion Nea Hellás; Núm. 23 (2004); Pág. 243-261es-ES
dc.source0718-8471
dc.source0716-2138
dc.titlePrometeo de Nikos Kazantzakises-ES
dc.titlePrometeo of Nikos Kazantzakis. The existencialistic dimension of mythen-US
dc.typeinfo:eu-repo/semantics/article
dc.typeinfo:eu-repo/semantics/publishedVersion


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