“Children of freedom”, notes on the social role of the National Historical Museum of Chile
“Hijos de la libertad”, apuntes sobre el rol social del Museo Histórico Nacional de Chile
| dc.creator | Meirovich, Sigal | |
| dc.date | 2020-12-17 | |
| dc.identifier | http://revistasacademicas.udec.cl/index.php/atenea/article/view/2941 | |
| dc.identifier | 10.29393/At522-108HLSM10108 | |
| dc.description | The controversy surrounding the temporary exhibition of the National Historical Museum of Chile (MHN) entitled "Children of Freedom, 200 Years of Independence" (2018), sparked a debate on social networks, the media and academic venues. The museum was accused of transgressing a social consensus regarding the representation of the dictator Pinochet and, with it, of transgressing itself as a stabilizing device of collective sense. This article focuses on the construction of this "self", putting its emergence and development into perspective. It is concluded that, with or without success, the museum effectively sought to transgress the distribution of the network between power, knowledge and memory that shapes its modern identity in order to try out a new possible identity, one that attempts to assume the complexity that the construction of collective meaning presents in today's Chile. | en-US |
| dc.description | La controversia en torno a la exhibición temporal del Museo Histórico Nacional de Chile (MHN), titulada “Hijos de la Libertad, 200 años de Independencia” (2018), suscitó debate en redes sociales, medios de prensa y espacios académicos. Se acusó al Museo de transgredir un consenso social respecto a la representación del dictador Pinochet y, con ello, de transgredirse a sí mismo como dispositivo estabilizador de sentido colectivo. El presente artículo se concentra en la construcción de ese “sí mismo”, poniendo en perspectiva su emergencia y desarrollo. Se concluye que, con o sin éxito, efectivamente el Museo buscaba transgredir la distribución de la red entre poder, saber y memoria que conforma su identidad moderna para ensayar una nueva identidad posible, una que intentaba asumir la complejidad que presenta la construcción de sentido colectivo en el Chile actual. | es-ES |
| dc.format | application/pdf | |
| dc.language | spa | |
| dc.publisher | ATENEA - Universidad de Concepción | es-ES |
| dc.relation | http://revistasacademicas.udec.cl/index.php/atenea/article/view/2941/3031 | |
| dc.rights | Derechos de autor 2020 Universidad de Concepción | es-ES |
| dc.rights | https://creativecommons.org/licenses/by/4.0 | es-ES |
| dc.source | Atenea; Núm. 522 (2020); 267-287 | es-ES |
| dc.source | 0716-1840 | |
| dc.source | 0718-0462 | |
| dc.subject | Museo Histórico Nacional | es-ES |
| dc.subject | controversia | es-ES |
| dc.subject | institución disciplinar | es-ES |
| dc.subject | National Historical Museum | en-US |
| dc.subject | controversy | en-US |
| dc.subject | disciplinary institution | en-US |
| dc.title | “Children of freedom”, notes on the social role of the National Historical Museum of Chile | en-US |
| dc.title | “Hijos de la libertad”, apuntes sobre el rol social del Museo Histórico Nacional de Chile | es-ES |
| dc.type | info:eu-repo/semantics/article | |
| dc.type | info:eu-repo/semantics/publishedVersion |
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