The curse of Labdacids in the 20th and 21th centuries opera
La maldición de los Labdácidas en la ópera de los siglos XX y XXI
| dc.creator | Forero, Ronald | |
| dc.creator | Forero Álvarez, Lucio Martín | |
| dc.date | 2018-11-15 | |
| dc.date.accessioned | 2022-10-03T19:52:13Z | |
| dc.date.available | 2022-10-03T19:52:13Z | |
| dc.identifier | https://byzantion.uchile.cl/index.php/RBNH/article/view/51542 | |
| dc.identifier.uri | https://revistaschilenas.uchile.cl/handle/2250/213881 | |
| dc.description | In the 20th and 21th centuries, Stravinsky (Oedipus Rex, 1927), Enescu (Oedipe, 1936), Orff (Antigone, 1949; Oedipus der Tyrann, 1959), Turnage (Greek, 1988), Theodorakis (Αντιγόνη, 1999), Le Gendre (The Burial at Thebes, 2008), and Anderson (Thebans, 2014), among others, composed operas about the myth of Labdacids. A fact quite significant if it is taken into account that during Romanticism there are just two musical dramas by Mendelssohn related to characters of the Theban Cycle (Antigone, 1841 and Oedipus auf Kolonos, 1845). The aim of this article, therefore, is to analyse the operas about this myth composed since 1901 in order to understand its resurgence in the contemporary operatic context. | en-US |
| dc.description | En los siglos XX y XXI, Stravinski (Oedipus Rex, 1927), Enescu (Oedipe, 1936), Orff (Antigone, 1949; Oedipus der Tyrann, 1959), Turnage (Greek, 1988), Theodorakis (Αντιγόνη, 1999), Le Gendre (The Burial at Thebes, 2008), Anderson (Thebans, 2014), entre otros, compusieron óperas sobre el mito de los labdácidas. Un hecho bastante significativo si tenemos en cuenta que durante el Romanticismo contamos con apenas dos dramas musicales de Mendelssohn relacionados con los personajes del Ciclo Tebano (Antigone, 1841 y Oedipusauf Kolonos, 1845). El objetivo, por tanto, de este estudio es analizar las óperas sobre este mito compuestas desde 1901 con el fin de comprender su resurgimiento en el contexto operístico contemporáneo. | es-ES |
| dc.format | application/pdf | |
| dc.format | application/epub+zip | |
| dc.format | audio/mpeg | |
| dc.language | spa | |
| dc.publisher | Universidad de Chile. Facultad de Filosofía y Humanidades | es-ES |
| dc.relation | https://byzantion.uchile.cl/index.php/RBNH/article/view/51542/53902 | |
| dc.relation | https://byzantion.uchile.cl/index.php/RBNH/article/view/51542/53952 | |
| dc.relation | https://byzantion.uchile.cl/index.php/RBNH/article/view/51542/60353 | |
| dc.rights | Derechos de autor 2018 Byzantion Nea Hellás | es-ES |
| dc.source | Byzantion Nea Hellás; Núm. 37 (2018); pp. 99-119 | es-ES |
| dc.source | 0718-8471 | |
| dc.source | 0716-2138 | |
| dc.subject | Myth | en-US |
| dc.subject | Labdacids | en-US |
| dc.subject | Theban Cycle | en-US |
| dc.subject | Opera | en-US |
| dc.subject | Oedipus | en-US |
| dc.subject | Antigone | en-US |
| dc.subject | Mito | es-ES |
| dc.subject | Ópera | es-ES |
| dc.subject | Edipo | es-ES |
| dc.subject | Antígona | es-ES |
| dc.subject | Ciclo tebano | es-ES |
| dc.title | The curse of Labdacids in the 20th and 21th centuries opera | en-US |
| dc.title | La maldición de los Labdácidas en la ópera de los siglos XX y XXI | es-ES |
| dc.type | info:eu-repo/semantics/article | |
| dc.type | info:eu-repo/semantics/publishedVersion |
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Byzantion Nea Hellás
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