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dc.contributores-ES
dc.creatorKennedy Troya, Alexandra
dc.date2019-02-25
dc.date.accessioned2019-04-03T18:43:05Z
dc.date.available2019-04-03T18:43:05Z
dc.identifierhttp://revistahistoria.uc.cl/index.php/rhis/article/view/1069
dc.identifier.urihttp://revistaschilenas.uchile.cl/handle/2250/21788
dc.descriptionOnly recently has Latin American historiography approached the subject of the Spanish American art market, the routes by which the works of art reach their final destinations, i.e. the civil and ecclesiastical institutions and prívate individuals including artists, and the aesthetic, cultural and economic effects of these contacts and movements. This study, one of the first of its kind, provides a revealing panorama of the relations between the art workshops of Quito, which produced images and paintings, and Chile, a very receptive market for works of art coming from the north.es-ES
dc.formatapplication/pdf
dc.languagespa
dc.publisherInstituto de Historia, Pontificia Universidad Católica de Chilees-ES
dc.relationhttp://revistahistoria.uc.cl/index.php/rhis/article/view/1069/885
dc.rightsCopyright (c) 2019 Revista Historiaes-ES
dc.sourceRevista Historia; Núm. 31 (1998); 87-111en-US
dc.sourceRevista Historia; Núm. 31 (1998); 87-111es-ES
dc.source0717-7194
dc.subjectLa revista no contemplaba “Palabras clave” para los artículos incluidos en este año de publicaciónes-ES
dc.titleCircuitos artísticos interregionales: de Quito a Chile. Siglos XVIII y XIXes-ES
dc.typeinfo:eu-repo/semantics/article
dc.typeinfo:eu-repo/semantics/publishedVersion
dc.typees-ES


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