Beyond Crónica: Journalism in Contemporary Latin American Documentary Narratives

dc.creator	Chávez Díaz, Liliana
dc.date	2018-01-08
dc.date.accessioned	2023-10-13T13:30:44Z
dc.date.available	2023-10-13T13:30:44Z
dc.identifier	https://textoshibridos.uai.cl/index.php/textoshibridos/article/view/75
dc.identifier	10.15691/textoshibridos.v6i1.75
dc.identifier.uri	https://revistaschilenas.uchile.cl/handle/2250/235493
dc.description	In one of the final scenes of Cristian Alarcón’s Cuando me muera quiero que me toquen cumbia. Vidas de pibes chorros (2003), the journalist is visiting Sabina, one of his sources, in a poor neighbourhood of Buenos Aires, when a shooting occurs. The male neighbours take their guns and run out to the streets, encouraged by the women to defend their villa. Crouching down behind the curtains, spying from the window, the journalist notices that, except for a child, he is the only one who remains in the house, “amariconadamente escondido” (112).	es-ES
dc.format	application/pdf
dc.language	spa
dc.publisher	The Ohio State University / Universidad Adolfo Ibáñez	es-ES
dc.relation	https://textoshibridos.uai.cl/index.php/textoshibridos/article/view/75/64
dc.source	Textos Híbridos; Vol. 6 Núm. 1 (2018)	es-ES
dc.source	2157-0159
dc.source	2157-0159
dc.source	10.15691/textoshibridos.v6i1
dc.title	Beyond Crónica: Journalism in Contemporary Latin American Documentary Narratives	es-ES
dc.type	info:eu-repo/semantics/article
dc.type	info:eu-repo/semantics/publishedVersion