Los pensamientos son libres: Susan Hiller y las letras par a una comunidad posible

dc.creator	Soto Rivera, Paulina
dc.date	2017-07-03
dc.date.accessioned	2023-12-21T18:47:29Z
dc.date.available	2023-12-21T18:47:29Z
dc.identifier	https://revistateoriadelarte.uchile.cl/index.php/RTA/article/view/46440
dc.identifier.uri	https://revistaschilenas.uchile.cl/handle/2250/239599
dc.description	In the current cultural context, Susan Hiller’s die Gedanke Sind Frei (Los pensamientos son libres, 2012), an installation based on transnational folklore marks a breaking point regarding debates of arts across academic debates. The works as well as its social responses address the Arts Academy ideologies, and discourses on art readings. Set on documenta 2012, the works still establish a paradigm thachallenges settled ideas regarding the crisis of contemporary social life. It points out to utopian social ideas, music, and ideals that persist over time.	es-ES
dc.format	application/pdf
dc.language	spa
dc.publisher	Revista de Teoría del Arte	es-ES
dc.relation	https://revistateoriadelarte.uchile.cl/index.php/RTA/article/view/46440/48471
dc.source	Revista de Teoría del Arte; Núm. 30 (2016): Junio a diciembre; p. 127 - 131	es-ES
dc.source	0719-7276
dc.subject	Susan Hiller	es-ES
dc.subject	artistic installation	es-ES
dc.subject	art critic	es-ES
dc.subject	utopian	es-ES
dc.subject	and community.	es-ES
dc.title	Los pensamientos son libres: Susan Hiller y las letras par a una comunidad posible	es-ES
dc.type	info:eu-repo/semantics/article
dc.type	info:eu-repo/semantics/publishedVersion