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dc.contributores-ES
dc.creatorMazzucchelli, Aldo
dc.date2018-08-12
dc.date.accessioned2019-04-15T13:02:45Z
dc.date.available2019-04-15T13:02:45Z
dc.identifierhttp://ediciones.ucsh.cl/ojs/index.php/lyl/article/view/1487
dc.identifier10.29344/0717621X.33.1487
dc.identifier.urihttp://revistaschilenas.uchile.cl/handle/2250/30670
dc.descriptionThis paper’s main goal is to show that rhythm can be defined and understood, in Peircean terminology, as iconic self-reference. This bears the immediate consequence that rhythm offers a way of –temporarily– escaping the process of unlimited semiosis (CP 2,303; 2,92). Within rhythm, iconic self-reference may create a recurrency of likenesses, suspending further reference to any third element external to rhythm. This paper will argue that some well known cognitive and emotional consequences of rhythm stem from this phenomenon, as semiotically defined here. In order to maintain consistency, I set a Peircean theoretical framework for this paper.es-ES
dc.formatapplication/pdf
dc.languagespa
dc.publisherUniversidad Católica Silva Henríquezes-ES
dc.relationhttp://ediciones.ucsh.cl/ojs/index.php/lyl/article/view/1487/1377
dc.rightsCopyright (c) 2018 Literatura y Lingüísticaes-ES
dc.sourceLiteratura y Lingüística; Núm. 33 (2016): Literatura y Lingüística; 313-324es-ES
dc.sourceLiteratura y Linguística; Núm. 33 (2016): Literatura y Lingüística; 313-324en-US
dc.source0717-621X
dc.source0716-5811
dc.subjectes-ES
dc.subjectrhythm, icon, self-reference, perceptual judgement, Charles S. Peirce.es-ES
dc.subjectes-ES
dc.titleRhythm as iconic self reference: a brief definition and some possible consequenceses-ES
dc.typeinfo:eu-repo/semantics/article
dc.typeinfo:eu-repo/semantics/publishedVersion
dc.typeArtículo revisado por pareses-ES


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