Design in Chile, is developed from five points of view. Allard proposes a debate around the definitions and historical evolution of the term; Neira assumes the reality of the graphic design in Chile; Eyquem establishes a definition of design carried out from his own experience; Puga lightens us about the real possibilities of industry in the matter, and finally Eames allows us, through expressions of his approach to the design process, to return to the beginning: what is design?