Memory's Self-Portrait (2005) expresses the fragmented subjectivity of a subject, according to how to it's represents an individuality of character ordinary, marginal and degraded. Representation to it's realizing through the self-portrait, figure that before of to describe the face to recreate the subject's vital experience in the dimensions that memory and something autobiography footprints to update through the writing. This text contradict those discourses in the act of to found an anti-utopic identity which tends to validate a minimalist life (uncentered and impersonal); an objective esthetic which to came to summarize the rudiments that to define the Gonzalo Millán poetry's.Autorretrato de memoria (2005) expresa la subjetividad fragmentada de un sujeto conforme se representa una individualidad de carácter ordinaria, marginal y degradada; representación que opera mediante el autorretrato, figura que en vez de describir el rostro recrea la experiencia vital del sujeto en las dimensiones que la memoria y ciertas huellas autobiográficas permiten actualizar mediante la escritura poética. Es un texto que contradice estos discursos en el acto de fundar una identidad distópica, tendiente a validar la existencia de una vida mínima (descentrada e impersonal) como parte de una estética de la ";objetividad" que viene a sintetizar los principios que definen la obra de Gonzalo Millán.