The New Meninas or «welcome Foucault» – Performance – Escenification – Transmediality – perception – Fr
Las «nuevas meninas» o «bienvenido Foucault». Performance – Escenificación – Transmedialidad – Percepción – Frida Kahlo – Diario – Fotografía – Pintura
dc.creator | de Toro, Alfonso | |
dc.date | 2011-12-31 | |
dc.identifier | http://revistaaisthesis.uc.cl/index.php/RAIT/article/view/3130 | |
dc.identifier | 10.4067/S0718-71812011000200001 | |
dc.description | Kahlo work out and develop diverse performative strategies that contribute to overcome the idea that art is only that what is durable and sublime, elitist, that belong to a museum and it is commercial. Kahlo is the pioneer of the art form performace, she creates a new concept of life-art-body/art-body-life, she is her own medium, artefact, presentation and product, she is art-object, art-action, she founds a new realism and that what later is going to be called body-art, happening or fluxus. | en-US |
dc.description | Kahlo elabora y desarrolla diversos procedimientos performativos que contribuyen a superar la idea de que arte es solamente aquello duradero, elitista, museal, comercial. Kahlo es una pionera de la performance, de un concepto vidaarte-cuerpo/arte-cuerpo-vida, ella es su propio medio, artefacto, presentación y producto, es arte-objeto, arte-acción y creadora de un nuevo realismo y de lo que más tarde se va a llamar body-art, happening o fluxus. | es-ES |
dc.format | application/pdf | |
dc.language | spa | |
dc.publisher | Instituto de Estética. Facultad de Filosofía | es-ES |
dc.relation | http://revistaaisthesis.uc.cl/index.php/RAIT/article/view/3130/2954 | |
dc.rights | Derechos de autor 2019 <h4><strong> AISTHESIS: Revista Chilena de Investigaciones Estéticas</strong></h4> | es-ES |
dc.rights | http://creativecommons.org/licenses/by-nc-sa/4.0 | es-ES |
dc.source | AISTHESIS: Revista Chilena de Investigaciones Estéticas; No. 50 (2011); 11-41 | en-US |
dc.source | AISTHESIS: Revista Chilena de Investigaciones Estéticas; Núm. 50 (2011); 11-41 | es-ES |
dc.source | 0718-7181 | |
dc.source | 10.7764/ais.50 | |
dc.subject | Photography | en-US |
dc.subject | Painting | en-US |
dc.subject | Performance | en-US |
dc.subject | Artefact | en-US |
dc.subject | Art-object | en-US |
dc.subject | Art-action | en-US |
dc.subject | Body-art | en-US |
dc.subject | Happening | en-US |
dc.subject | Fluxus | en-US |
dc.subject | Fotografía | es-ES |
dc.subject | Pintura | es-ES |
dc.subject | Performance | es-ES |
dc.subject | Artefacto | es-ES |
dc.subject | Arte-objeto | es-ES |
dc.subject | Arte-acción | es-ES |
dc.subject | Body-art | es-ES |
dc.subject | Happening | es-ES |
dc.subject | Fluxus | es-ES |
dc.title | The New Meninas or «welcome Foucault» – Performance – Escenification – Transmediality – perception – Fr | en-US |
dc.title | Las «nuevas meninas» o «bienvenido Foucault». Performance – Escenificación – Transmedialidad – Percepción – Frida Kahlo – Diario – Fotografía – Pintura | es-ES |
dc.type | info:eu-repo/semantics/article | |
dc.type | info:eu-repo/semantics/publishedVersion |