Absurdo y rebelión son dos conceptos fundamentales dentro de la obra de Albert Camus. En el terreno filosófico su significado ha sido ampliamente estudiado y debatido. Por lo mismo, este artículo tiene como propósito abordar ambas nociones desde una perspectiva distinta, planteando que tanto absurdo como rebelión pueden ser entendidos como fenómenos o experiencias verbales. Dado este enfoque, el estudio propone una relación entre los planteamientos de Camus y autores cuyas obras exhiben una actitud radicalmente crítica y experimental hacia el lenguaje: Samuel Beckett, Alejandra Pizarnik, Oliverio Girondo, entre otros. El estudio se ocupa de identificar y fundamentar esas conexiones, sobre la base de una pregunta esencial: ¿qué consecuencias tiene la experimentación y transformación del lenguaje?The work of Albert Camus offers two fundamental concepts: absurd and rebellion. In the field of philosophy, the meaning of both words has been widely studied and debated. That's why this article intends to address them from a different perspective, posing that absurd as well as rebellion can be understood as verbal phenomena or experiencies. From this point of view, the article propounds a relation between Camus ideas and different authors whose works show a critical an experimental attitude towards language: Samuel Beckett, Alejandra Pizarnik, Oliverio Girondo, among others. The article's purpose is to identify and supports those connections, considering one essential question: ¿which are the consequences of experimenting and transforming language? The work of Albert Camus offers two fundamental concepts: absurd and rebellion. In the field of philosophy, the meaning of both words has been widely studied and debated. That's why this article intends to address them from a different perspective, posing that absurd as well as rebellion can be understood as verbal phenomena or experiencies. From this point of view, the article propounds a relation between Camus ideas and different authors whose works show a critical an experimental attitude towards language: Samuel Beckett, Alejandra Pizarnik, Oliverio Girondo, among others. The article's purpose is to identify and supports those connections, considering one essential question: ¿which are the consequences of experimenting and transforming language?