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ALBERT CAMUS' PROJECTIONS: ABSURD AND REBELLION AS LANGUAGE EXPERIENCES.

dc.contributores-ES
dc.contributoren-US
dc.creatorRivas Nielsen, Niels
dc.date2018-08-01
dc.date.accessioned2020-10-08T16:06:09Z
dc.date.available2020-10-08T16:06:09Z
dc.identifierhttps://sintesis.uai.cl/index.php/intusfilosofia/article/view/204
dc.identifier10.15691/0718-5448Vol7Iss2a204
dc.identifier.urihttps://revistaschilenas.uchile.cl/handle/2250/154648
dc.descriptionAbsurdo y rebelión son dos conceptos fundamentales dentro de la obra de Albert Camus. En el terreno filosófico su significado ha sido ampliamente estudiado y debatido. Por lo mismo, este artículo tiene como propósito abordar ambas nociones desde una perspectiva distinta, planteando que tanto absurdo como rebelión pueden ser entendidos como fenómenos o experiencias verbales. Dado este enfoque, el estudio propone una relación entre los planteamientos de Camus y autores cuyas obras exhiben una actitud radicalmente crítica y experimental hacia el lenguaje: Samuel Beckett, Alejandra Pizarnik, Oliverio Girondo, entre otros. El estudio se ocupa de identificar y fundamentar esas conexiones, sobre la base de una pregunta esencial: ¿qué consecuencias tiene la experimentación y transformación del lenguaje?es-ES
dc.descriptionThe work of Albert Camus offers two fundamental concepts: absurd and rebellion. In the field of philosophy, the meaning of both words has been widely studied and debated. That's why this article intends to address them from a different perspective, posing that absurd as well as rebellion can be understood as verbal phenomena or experiencies. From this point of view, the article propounds a relation between Camus ideas and different authors whose works show a critical an experimental attitude towards language: Samuel Beckett, Alejandra Pizarnik, Oliverio Girondo, among others. The article's purpose is to identify and supports those connections, considering one essential question: ¿which are the consequences of experimenting and transforming language? The work of Albert Camus offers two fundamental concepts: absurd and rebellion. In the field of philosophy, the meaning of both words has been widely studied and debated. That's why this article intends to address them from a different perspective, posing that absurd as well as rebellion can be understood as verbal phenomena or experiencies. From this point of view, the article propounds a relation between Camus ideas and different authors whose works show a critical an experimental attitude towards language: Samuel Beckett, Alejandra Pizarnik, Oliverio Girondo, among others. The article's purpose is to identify and supports those connections, considering one essential question: ¿which are the consequences of experimenting and transforming language?en-US
dc.formatapplication/pdf
dc.languagespa
dc.publisherUniversidad Adolfo Ibáñez - Adolfo Ibáñez Universityes-ES
dc.relationhttps://sintesis.uai.cl/index.php/intusfilosofia/article/view/204/194
dc.rightsCopyright (c) 2018 Niels Rivas Nielsenes-ES
dc.rightshttps://creativecommons.org/licenses/by-sa/4.0es-ES
dc.sourceSíntesis. Revista de Filosofía; Vol. 7, Núm. 2 (2013); 9-19es-ES
dc.source2452-4476
dc.source2452-4476
dc.subjectabsurdo; rebelión; crítica del lenguaje; Albert Camuses-ES
dc.subjectabsurd; rebellion; critique of language; Albert Camusen-US
dc.titlePROYECCIONES DE ALBERT CAMUS: EL ABSURDO Y LA REBELIÓN COMO EXPERIENCIAS DEL LENGUAJEes-ES
dc.titleALBERT CAMUS' PROJECTIONS: ABSURD AND REBELLION AS LANGUAGE EXPERIENCES.en-US
dc.typeinfo:eu-repo/semantics/article
dc.typeinfo:eu-repo/semantics/publishedVersion
dc.typeen-US
dc.typees-ES


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