Coreografía de los dedos: Cuerpo e instrumento en la escritura musical para guitarra
Choreography of the fingers: Body and instrument in the musical writing for guitar
| dc.creator | Genannt Jost, Diana Brenscheidt | |
| dc.creator | Díaz Hilton, Juan | |
| dc.date | 2018-06-01 | |
| dc.date.accessioned | 2023-01-16T20:49:19Z | |
| dc.date.available | 2023-01-16T20:49:19Z | |
| dc.identifier | https://neuma.utalca.cl/index.php/neuma/article/view/43 | |
| dc.identifier.uri | https://revistaschilenas.uchile.cl/handle/2250/219974 | |
| dc.description | La musicología, desde su perspectiva histórica, comúnmente propone a la partitura como referente principal. Influida por las ideas del formalismo, es en la escritura musical en donde se materializa la forma y coherencia interna de una obra musical autónoma y autosuficiente. Partiendo de las ideas de los estudios del performance, el presente trabajo busca indicar la influencia directa, tanto de condiciones corporales como instrumentales específicas, al texto musical escrito. A través de un análisis histórico de la escritura musical para guitarra del Renacimiento al siglo XX, se muestra como la partitura resulta reflejar un diálogo entre diferentes dimensiones las cuales, en su conjunto, forman lo que es la música. | es-ES |
| dc.description | Musicology, in its historical perspective, commonly proposes the score as its primary referent. Influenced by formalist thinking, it’s in the musical score where form and inner coherence of the autonomous and self-sufficient musical work materialize. Based on assumptions from the field of performance studies, the article’s objective is to show how the human body and the physical conditions of the musical instrument itself reflect directly in musical writing. By ways of an historical analysis of guitar music notation from the Renaissance to the Twentieth Century, it is demonstrated how the score itself displays this dialogue between different dimensions which, in their totality, conform what we define as music. | en-US |
| dc.format | application/pdf | |
| dc.language | spa | |
| dc.publisher | Universidad de Talca | es-ES |
| dc.relation | https://neuma.utalca.cl/index.php/neuma/article/view/43/42 | |
| dc.rights | Derechos de autor 2018 Neuma (Talca) | es-ES |
| dc.rights | https://creativecommons.org/licenses/by-nc/4.0 | es-ES |
| dc.source | Neuma (Talca); Vol. 1 (2018); 58-75 | en-US |
| dc.source | Neuma (Talca); Vol. 1 (2018); 58-75 | es-ES |
| dc.source | 0719-5389 | |
| dc.source | 0718-7017 | |
| dc.subject | escritura musical guitarrística | es-ES |
| dc.subject | formalismo | es-ES |
| dc.subject | dimensiones instrumental y corporal | es-ES |
| dc.subject | guitar music notation | en-US |
| dc.subject | formalism | en-US |
| dc.subject | corporeal and instrumental dimensions | en-US |
| dc.title | Coreografía de los dedos: Cuerpo e instrumento en la escritura musical para guitarra | es-ES |
| dc.title | Choreography of the fingers: Body and instrument in the musical writing for guitar | en-US |
| dc.type | info:eu-repo/semantics/article | |
| dc.type | info:eu-repo/semantics/publishedVersion | |
| dc.type | texto | es-ES |
| dc.type | text | en-US |
| dc.type | Texto | pt-BR |