• Editorial 

  Ramos Fuentes, José Miguel. Neuma (Talca); Vol. 1 (2024); 6-7

• Editorial 

  Ramos Fuentes, José Miguel. Neuma (Talca); Vol. 2 (2024); 5-6

• Virginia Sánchez-Rodríguez. Tomás Breton: Last Bars 

  De la Ossa Martínez, Marco Antonio. Neuma (Talca); Vol. 2 (2024); 149-151

• Jorge Horst’s barro sublevado (2003): A recursively transatlantic cult tango? 

  Jaureguiberry, Pablo Ernesto. Neuma (Talca); Vol. 2 (2023): Dossier "Técnicas seriales en Latinoamérica. Una mirada desde el análisis musical"; 112-129

• From oral tradition to mediatization? The transmission of folk music in the chilean region of Ñuble from the experience of seven male and female singers of the region 

  Sandoval Cisternas, Enrique; Rosales Iturra, Daniela; Palavecino Venegas, Rocío; Islas Durán, Alonso; Macaya Chávez, Mauricio. Neuma (Talca); Vol. 1 (2024); 37-51

• Memories of the cylinder: Sonorous heritage of the chilean barrel organ through its repertoire 

  Silva Ponce, René; González, Juan Pablo. Neuma (Talca); Vol. 2 (2024); 27-44

• Presence of childhood in post-dictatorship chilean musicology (1990-2023) 

  Poveda Viera, Juan Carlos. Neuma (Talca); Vol. 2 (2024); 8-26

• Dodecaphonism and popular musica in South America. The twelve-tone tango: Eduardo Rovira 

  Rodríguez, Edgardo J.. Neuma (Talca); Vol. 2 (2023): Dossier "Técnicas seriales en Latinoamérica. Una mirada desde el análisis musical"; 130-149

• Editorial 

  Fugellie, Daniela; Martínez, Gonzalo. Neuma (Talca); Vol. 2 (2023): Dossier "Técnicas seriales en Latinoamérica. Una mirada desde el análisis musical"; 6-8

• Father and Mother figures: psychoanalysis, gender, and filial affections in popular songs 

  Valdebenito, Lorena. Neuma (Talca); Vol. 1 (2024); 8-36

• Semantics in chilean cueca as interpretation and understanding of communicative messages between the art & science systems 

  Garrido-Alcaino, Victoria; Muñoz-Figueroa, Pilar; Martínez Matamala, Carlos; Alcaino Padilla, Alejandra. Neuma (Talca); Vol. 2 (2024); 45-57

• Use of instrumental music in major and minor keys as a mood regulator in university students 

  Sandoval Cisternas, Enrique; Vásquez-Caballero, Cindy; Moya Villaseca, Alison; Méndez Barrales, Daniela; Núñez Saavedra, Catalina. Neuma (Talca); Vol. 2 (2024); 119-142

• Andean cumbia in northern Chile at the end of the 20th century: Capítulo quinto and the emergence of a music scene 

  Yampara Yampara, Diego; Díaz Araya, Alberto; Piérola Dorado, Huáscar Oscar. Neuma (Talca); Vol. 2 (2024); 85-101

• Marta Vela González. VI pieces of music: Cosmopolitan jotas of Aragon: from Florencio Lahoz to Pauline Viardot-García 

  Iglesias García, Lucía. Neuma (Talca); Vol. 1 (2024); 117-119

• The harp as a literary simbol in the 20th century 

  Carralero Conde, María José. Neuma (Talca); Vol. 2 (2024); 46-84

• Ana Carolina Reynaldos Quinteros, Grete Bussenius Brito y Alvaro Hoppe Guiñez. Mario Baeza Gajardo. Musician and cultural manager of the 20th century 

  Baeza Duffy, Patricia. Neuma (Talca); Vol. 2 (2024); 144-148

• Traditional aragonese music in the classroom: Contribution to the legacy of cultural and artistic heritage 

  López Casanova, María Belén; Nadal García, Icíar. Neuma (Talca); Vol. 1 (2024); 74-89

• Educational use of ICTS in the context of online education. A retrospective look by music teachers in Chile 

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• Sound worlds and musical language: A study on dodecaphony and its relation to the plot of Pablo Garrido's opera La Sugestión (1959) 

  Arraño, Constanza. Neuma (Talca); Vol. 2 (2023): Dossier "Técnicas seriales en Latinoamérica. Una mirada desde el análisis musical"; 86-111

• The sociotechnical networks of the early years of rap in Santiago de Chile (1984-1996): between “techno-dependence” and creativity against the grain 

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