The following approach to the work of José Antonio Ramos Sucre proposes to rethink his poetry from the field of image, highlighting his use of anachronism as opposed to the visual consensus of a representational cut that occurred at the end of the 19th century and the beginning of the 20th in Venezuela. For this, it has been decided to explore his migratory use of the image, tracing its logic from different horizons.El siguiente acercamiento sobre la obra de José Antonio Ramos Sucre propone repensar su poesía desde el campo de la imagen, en especial el uso que hace del anacronismo en contraposición al consenso visual de corte representativo que se dio a finales del siglo XIX y comienzos del XX en Venezuela. Para ello, se explora su trabajo migrante de la imagen y su lógica desde distintas perspectivas.