Recently added

A Cohort of Artists-Managers

Rimoldi, Lucas; Monchietti, Alicia. Taller de Letras; Núm. 59 (2016): Segundo Semestre; 111-123

Uruguayan Literature in the Sixties: Crisis, Political Vanguard and New Narratives

lohansson M., María Teresa. Taller de Letras; Núm. 59 (2016): Segundo Semestre; 135-149

Religion and the Angel’s Wake Tradition in Violeta Parra’s Art and Lyrics

Dillon, Lorna. Taller de Letras; Núm. 59 (2016): Segundo Semestre; 91-109

Idolatry Processes, Native Discourses and Religiosity in the Colonial Andean World

Díaz Araya, Alberto. Taller de Letras; Núm. 51 (2012): Segundo Semestre; 53-74

Three Modes of National Allegory in Chilean Narratives of 1990s and 2000s

Álvarez, Ignacio. Taller de Letras; Núm. 51 (2012): Segundo Semestre; 11-31

Discoursive Deconstructions in César Calvo’s Edipo entre los inkas

Cardemil Krause, Cristóbal. Taller de Letras; Núm. 51 (2012): Segundo Semestre; 87-100

A Drifting Narrative: Digression in Roberto Bolaño’s Los detectives salvajes

Oliver, María Paz. Taller de Letras; Núm. 51 (2012): Segundo Semestre; 151-161

“Armónica cintura”: Musical Symbolism in Gonzalo Rojas's Poem Cítara mía

del Rey Cabero, Enrique. Taller de Letras; Núm. 51 (2012): Segundo Semestre; 131-149

Language, Tongue and Mouth in Óscar Hahn’s Poetry

Ayala, Matias. Taller de Letras; Núm. 51 (2012): Segundo Semestre; 75-85

The Fall of the Modern Meta Narratives in No será la Tierra by Jorge Volpi

Ángel, Roberto. Taller de Letras; Núm. 51 (2012): Segundo Semestre; 33-52

Cheio de tudo: Paulo Leminski and Zen Buddhism

Cussen, Felipe. Taller de Letras; Núm. 51 (2012): Segundo Semestre; 115-130

José María Arguedas and the Concept of Experience

Cortez, Enrique E.. Taller de Letras; Núm. 51 (2012): Segundo Semestre; 101-113

Bodies That Appear, “Escrache-Bodies”: From Post-Memory to Trauma and Horror in Short Stories by Mariana Enriquez

Bustamante Escalona, Fernanda. Taller de Letras; Núm. 64 (2019): Primer Semestre; 31-45

Conflicts of Dramatic Genre and Literary Reception in Calderon’s El Purgatorio de san Patricio

Escudero Baztán, Juan Manuel. Taller de Letras; Núm. 64 (2019): Primer Semestre; 77-93

The Hybrid Novel in No será la Tierra by Jorge Volpi

Angel G., Roberto. Taller de Letras; Núm. 64 (2019): Primer Semestre; 11-29

Conceptual Writing and Catastrophe

Cussen, Felipe. Taller de Letras; Núm. 64 (2019): Primer Semestre; 61-75

Rodolfo Walsh: The Hydra of Press Freedom

Caballero Hernández, Farouk. Taller de Letras; Núm. 64 (2019): Primer Semestre; 47-60

My heart went out to Him!’ (SS 5,6) An identity leak in the hunt of the Only Love’. The one-self a response to a call in Amelia Biagioni

Rodríguez Falcón, Ana. Taller de Letras; 2016: Número Especial 4; 47-57

The Holy Ghost as an interpreter of Christ. The pneumatological dimension of theological aesthetics by H. U. von Balthasar

Bertolini, Alejandro. Taller de Letras; 2016: Número Especial 4; 39-45

Aproaching to “matrimonio espiritual” in Saint Teresa’s El castillo interior

Serrano, Agustina. Taller de Letras; 2016: Número Especial 4; 19-38

Taller de Letras: Recent submissions

A Cohort of Artists-Managers ﻿

Uruguayan Literature in the Sixties: Crisis, Political Vanguard and New Narratives ﻿

Religion and the Angel’s Wake Tradition in Violeta Parra’s Art and Lyrics ﻿

Idolatry Processes, Native Discourses and Religiosity in the Colonial Andean World ﻿

Three Modes of National Allegory in Chilean Narratives of 1990s and 2000s ﻿

Discoursive Deconstructions in César Calvo’s Edipo entre los inkas ﻿

A Drifting Narrative: Digression in Roberto Bolaño’s Los detectives salvajes ﻿

“Armónica cintura”: Musical Symbolism in Gonzalo Rojas's Poem Cítara mía ﻿

Language, Tongue and Mouth in Óscar Hahn’s Poetry ﻿

The Fall of the Modern Meta Narratives in No será la Tierra by Jorge Volpi ﻿

Cheio de tudo: Paulo Leminski and Zen Buddhism ﻿

José María Arguedas and the Concept of Experience ﻿

Bodies That Appear, “Escrache-Bodies”: From Post-Memory to Trauma and Horror in Short Stories by Mariana Enriquez ﻿

Conflicts of Dramatic Genre and Literary Reception in Calderon’s El Purgatorio de san Patricio ﻿

The Hybrid Novel in No será la Tierra by Jorge Volpi ﻿

Conceptual Writing and Catastrophe ﻿

Rodolfo Walsh: The Hydra of Press Freedom ﻿

My heart went out to Him!’ (SS 5,6) An identity leak in the hunt of the Only Love’. The one-self a response to a call in Amelia Biagioni ﻿

The Holy Ghost as an interpreter of Christ. The pneumatological dimension of theological aesthetics by H. U. von Balthasar ﻿

Aproaching to “matrimonio espiritual” in Saint Teresa’s El castillo interior ﻿