Recently added

The socialization of creative and/or innovative work in the university context. Proposal for presentation protocols

Alberti Zurita, Liuba. Revista Actos; Vol. 5 Núm. 9 (2023): Revista Actos; 88-95

Workers, tools, machines and procedures on a deep and diffuse background. The cinema as technological testimony of the factories in the Popular Unity

Pérez Herrera, Hugo. Revista Actos; Vol. 5 Núm. 9 (2023): Revista Actos; 159-172

Luis Buñuel and Las Hurdes. An essay in provocative human geographies

Navarro Fuentes, Carlos. Revista Actos; Vol. 5 Núm. 9 (2023): Revista Actos; 25-42

50 years after the coup

Fica Molina, Pamela. Revista Actos; Vol. 5 Núm. 9 (2023): Revista Actos; 173-185

Migrant drift and true saying in the film “Perro Bomba” (2019)

Castillo Vega, César. Revista Actos; Vol. 5 Núm. 9 (2023): Revista Actos; 43-63

Roots of the essay film in Latin America

Celedón Bórquez, Gustavo; González San Martín, Patricia. Revista Actos; Vol. 5 Núm. 9 (2023): Revista Actos; 3-24

Ñamen, Desaparecer, venir en olvido (Danilo Espinoza, 2017): the family album and the fractures of the story

Medalla Contreras, Tania. Revista Actos; Vol. 5 Núm. 9 (2023): Revista Actos; 144-158

First steps of a collective investigation around the organizations of dances in Chile between 1990 and 2020

Arenas Arce, Belen; González, Paulina; Bravo, Gabriela; Valenzuela, Ninoska; Jurisic, Diego; Greene, Josefina. Revista Actos; Vol. 5 Núm. 9 (2023): Revista Actos; 76-87

El placer de moverse sin ver

Carvajal García, Ana. Revista Actos; Vol. 1 Núm. 1 (2019): Revista Actos; 4-15

Reseña Brecht en la Ciudad de la Fruta. Una aproximación al teatro épico

Castro Ibáñez, Carolina Alejandra. Revista Actos; Vol. 1 Núm. 1 (2019): Revista Actos; 102-106

Devenir Ekeka o la vulnerabilidad como resistencia

Medalla Contreras, Tania. Revista Actos; Vol. 1 Núm. 2 (2019): Revista Actos; 93-99

Espacios Diáfanos: cerramiento y transparencia como vínculo entre estaciones ferroviarias y espacios culturales

Muñoz, Yolanda. Revista Actos; Vol. 1 Núm. 2 (2019): Revista Actos; 41-53

The practice of the arrangement for formative choirs: Systematization of a method from the observation of the practice

Fernández Toro, Cristian. Revista Actos; Vol. 3 Núm. 6 (2021): Revista Actos; 80-101

Post-dictatorship music, art and culture: Women’s Uruguayan-style murga in Chile. Sound, party, identity and rebellion

Suau, Raul. Revista Actos; Vol. 3 Núm. 5 (2021): Revista Actos; 18-29

New forms of scenic-spatial expression in theater and technological performance (Body, space and neo-rituality)

Cattaneo, Claudia. Revista Actos; Vol. 3 Núm. 5 (2021): Revista Actos; 42-66

Dance at the Víctor Jara School: an analysis situated from Popular Education, critical interculturality and dance studies

González, Paulina. Revista Actos; Vol. 3 Núm. 5 (2021): Revista Actos; 101-123

Egiar Aldizkaria: editorial experience of a magazine for art.

Perez Goiri, Iker; Pavo Cuadrado, David. Revista Actos; Vol. 3 Núm. 6 (2021): Revista Actos; 102-118

The notion of site-specific in the theoretical discourse of the Teatro da Vertigem

Bruna, Rodrigo. Revista Actos; Vol. 3 Núm. 5 (2021): Revista Actos; 67-78

Performative and critical genre of a capitalist structure: the work of Gabriela Rivera, Bestiario (2012-2018)

Rayo Calderón, Catalina. Revista Actos; Vol. 3 Núm. 5 (2021): Revista Actos; 30-41

Anthropology, theater and interculturality

Espinoza, Claudio. Revista Actos; Vol. 3 Núm. 6 (2021): Revista Actos; 34-49

ACTOS: Recent submissions

The socialization of creative and/or innovative work in the university context. Proposal for presentation protocols ﻿

Workers, tools, machines and procedures on a deep and diffuse background. The cinema as technological testimony of the factories in the Popular Unity ﻿

Luis Buñuel and Las Hurdes. An essay in provocative human geographies ﻿

50 years after the coup ﻿

Migrant drift and true saying in the film “Perro Bomba” (2019) ﻿

Roots of the essay film in Latin America ﻿

Ñamen, Desaparecer, venir en olvido (Danilo Espinoza, 2017): the family album and the fractures of the story ﻿

First steps of a collective investigation around the organizations of dances in Chile between 1990 and 2020 ﻿

El placer de moverse sin ver ﻿

Reseña Brecht en la Ciudad de la Fruta. Una aproximación al teatro épico ﻿

Devenir Ekeka o la vulnerabilidad como resistencia ﻿

Espacios Diáfanos: cerramiento y transparencia como vínculo entre estaciones ferroviarias y espacios culturales ﻿

The practice of the arrangement for formative choirs: Systematization of a method from the observation of the practice ﻿

Post-dictatorship music, art and culture: Women’s Uruguayan-style murga in Chile. Sound, party, identity and rebellion ﻿

New forms of scenic-spatial expression in theater and technological performance (Body, space and neo-rituality) ﻿

Dance at the Víctor Jara School: an analysis situated from Popular Education, critical interculturality and dance studies ﻿

Egiar Aldizkaria: editorial experience of a magazine for art. ﻿

The notion of site-specific in the theoretical discourse of the Teatro da Vertigem ﻿

Performative and critical genre of a capitalist structure: the work of Gabriela Rivera, Bestiario (2012-2018) ﻿

Anthropology, theater and interculturality ﻿