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JACINTO PÁEZ, Wilhelm Windelband’s Historical Philosophy: The Path from Neo-kantianism to Neo-hegelianism Baden-Baden: Georg Olms, 2023 ﻿

FINNUR DELLSÉN. Abductive Reasoning in Science. Cambridge, Cambridge University Press, 2024 ﻿

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Instituciones sin realidad física: una relectura del debate entre Smith y Searle desde una perspectiva pragmática ﻿

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Exploring the closeness between Simone Weil and existentialism: the notion of rootedness in The Need of Roots and existence in Jean-Paul Sartre's Being and Nothingness ﻿

Feminism and relational autonomy: an argumentative analysis of the case of indigenous women in Argentina ﻿

Truth as an educational aim from critical thinking ﻿

Identity and encounter: the resource of cultural diversity in the philosophy of François Jullien ﻿

What comes after the subject: adonado and individual in Marion and Nancy ﻿

Can Anyone Be Morally Impartial in Making Decisions Regarding the Environmental Crisis? : A Response in Favor of Partiality and Interdependence with the Environment ﻿

The Christian religion in Young Hegel's thought (1793-1800) ﻿

Cultural Mediation and Democratizing Access to Culture inChile: An Analysis of Inclusive Educational Strategies for DeafPeople at the Museum of Contemporary Art ﻿

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JACINTO PÁEZ, Wilhelm Windelband’s Historical Philosophy: The Path from Neo-kantianism to Neo-hegelianism Baden-Baden: Georg Olms, 2023

FINNUR DELLSÉN. Abductive Reasoning in Science. Cambridge, Cambridge University Press, 2024

Trust and distrust of institutions: Searle and the unfinished puzzle of his social reality

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CATHERINE MALABOU. ¡Al ladrón! Anarquismo y Filosofía. La Cebra; Palinodia; Kaxilda, 2023

Exploring the closeness between Simone Weil and existentialism: the notion of rootedness in The Need of Roots and existence in Jean-Paul Sartre's Being and Nothingness

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Identity and encounter: the resource of cultural diversity in the philosophy of François Jullien

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Cultural Mediation and Democratizing Access to Culture inChile: An Analysis of Inclusive Educational Strategies for DeafPeople at the Museum of Contemporary Art

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