| dc.creator | Yessentugel, Azi | |
| dc.creator | Shamakhay, Saira | |
| dc.creator | Sarkulova, Manifa | |
| dc.creator | Imanzhusip, Raushan | |
| dc.date | 2023-04-21 | |
| dc.identifier | https://www.revistas.usach.cl/ojs/index.php/rivar/article/view/5744 | |
| dc.identifier | 10.35588/rivar.v10i29.5744 | |
| dc.description | The relevance of this study lies in the lack of a qualitative study of such an important historical phenomenon as the order of knights serı. Steppe knights as the last manifestation of the fighting spirit of the Kazakh people is a wonderful personification of nomadic culture. The real nomads were members of the cavalry order who descended from the famous military aristocracy of the nomads. Their musical and poetic world included in the history of military service and culture is a vivid embodiment of nomadic life. The aim of the paper is to formulate the conventional representation of the cultural and spiritual values of the Kazakh people, making a cultural and philosophical analysis of all manifestations of the nomadic people. During the research, a cultural evaluation was given of some ideological, religious-ethical, and storylines dating back to the era of the Ancient Saks, Huns, and Turkic Khaganate that unfolded in Central Asia in the 18-19th and early 20th centuries, the latest manifestations of free thought, the art of the colonised people, the talent of comrades-in-arms, the ancient art of the Kazakh people that has not lost its characterisation based on folk traditions and religious beliefs. In this study, various methods such as induction, deduction, historical, and cross-analysis were used. The results of the study reveal the exceptional features of the formation and development of nomadic knights and their deep influence on the culture of the peoples of Central Asia, which will be useful for understanding the folk identity of culture, aspects of their origin, and history. | en-US |
| dc.description | La orden de los caballeros serı, como última manifestación del espíritu de lucha del pueblo kazajo, es una maravillosa personificación de la cultura nómada. Los verdaderos nómadas eran miembros de la orden de caballería que descendían de la famosa aristocracia militar de los nómadas. Su mundo musical y poético, incluido en la historia del servicio militar y la cultura, es una vívida encarnación de la vida nómada. El propósito del artículo es formular la representación convencional de los valores culturales y espirituales del pueblo kazajo, mediante un análisis cultural y filosófico de todas las manifestaciones del pueblo nómada, para lo cual se realizó una evaluación cultural de ciertas líneas argumentales ideológicas, religiosas y éticas que se remontan a la era de los antiguos saks, hunos y túrquicos kaganatos que habitaron Asia Central en los siglos XVIII, XIX y principios del XX, siendo la últimas manifestaciones del libre pensamiento, el arte del pueblo colonizado y el talento de los compañeros de armas, donde el arte milenario del pueblo kazajo que no ha perdido su caracterización basada en tradiciones populares y creencias religiosas. | es-ES |
| dc.format | application/pdf | |
| dc.language | eng | |
| dc.publisher | Universidad de Santiago de Chile | es-ES |
| dc.relation | https://www.revistas.usach.cl/ojs/index.php/rivar/article/view/5744/26004471 | |
| dc.rights | Derechos de autor 2023 RIVAR | es-ES |
| dc.source | RIVAR; Vol 10 No 29 (2023) | en-US |
| dc.source | RIVAR; Vol. 10 Núm. 29 (2023) | es-ES |
| dc.source | RIVAR; v. 10 n. 29 (2023) | pt-PT |
| dc.source | 0719-4994 | |
| dc.title | The End of the Steppe Knights Existence or Last Manifestations of the Nomadic Spirit | en-US |
| dc.type | info:eu-repo/semantics/article | |
| dc.type | info:eu-repo/semantics/publishedVersion | |
