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Translating dialectal expressions and terms embedded in Saudi modern novels with a particular emphasis on Ragaa Alsanea’s Girls of Riyadh

dc.creatorIsmail Mousa, Sayed M.
dc.creatorSalameh Al-Hawamdeh, Basem Okleh
dc.date2024-09-11
dc.date.accessioned2024-11-19T15:17:37Z
dc.date.available2024-11-19T15:17:37Z
dc.identifierhttps://onomazein.letras.uc.cl/index.php/onom/article/view/84570
dc.identifier10.7764/onomazein.64.02
dc.identifier.urihttps://revistaschilenas.uchile.cl/handle/2250/246369
dc.descriptionTranslating dialectal terms and idiomatic expressions embedded in Saudi contemporary fiction is an underresearched topic, and the assessment of translating dialectal terms and expressions has not been examined adequately as there is a scarcity in the studies addressing such a translation issue. Therefore, the current study is mainly interested in assessing how far the translators of Girls of Riyadh could succeed in translating the embedded dialectal expressions in the novel and whether their translation could transfer the overall effect, aesthetic values, cultural atmosphere, style and pragmatic effect. To achieve this end, the study has classified dialectal elements under the rubric of cultural markers and assessed the rendition of these cultural markers in connection with Dickins’ degrees of cultural transposition and House’s concept of covert translation and its criteria. Following the assessment of samples from the novel, the study has found that the translators neither follow domestication nor foreignization and that they rely heavily on the communicative translation strategy, and in most cases dialectal expressions are omitted or rendered into formal English.en-US
dc.descriptionTranslating dialectal terms and idiomatic expressions embedded in Saudi contemporary fiction is an underresearched topic, and the assessment of translating dialectal terms and expressions has not been examined adequately as there is a scarcity in the studies addressing such a translation issue. Therefore, the current study is mainly interested in assessing how far the translators of Girls of Riyadh could succeed in translating the embedded dialectal expressions in the novel and whether their translation could transfer the overall effect, aesthetic values, cultural atmosphere, style and pragmatic effect. To achieve this end, the study has classified dialectal elements under the rubric of cultural markers and assessed the rendition of these cultural markers in connection with Dickins’ degrees of cultural transposition and House’s concept of covert translation and its criteria. Following the assessment of samples from the novel, the study has found that the translators neither follow domestication nor foreignization and that they rely heavily on the communicative translation strategy, and in most cases dialectal expressions are omitted or rendered into formal English.es-ES
dc.formatapplication/pdf
dc.languageeng
dc.publisherFacultad de Letras de la Pontificia Universidad Católica de Chilees-ES
dc.relationhttps://onomazein.letras.uc.cl/index.php/onom/article/view/84570/64728
dc.rightshttps://creativecommons.org/licenses/by/4.0es-ES
dc.sourceOnomázein ; No. 64 (2024): June; 41-60en-US
dc.sourceOnomázein ; Núm. 64 (2024): Junio; 41-60es-ES
dc.source0718-5758
dc.subjectcovert translationes-ES
dc.subjectcultural markses-ES
dc.subjectdialectes-ES
dc.subjectidiomatic expressionses-ES
dc.subjectcultural transpositiones-ES
dc.subjectcovert translationen-US
dc.subjectcultural marksen-US
dc.subjectdialecten-US
dc.subjectidiomatic expressionsen-US
dc.subjectcultural transpositionen-US
dc.titleTranslating dialectal expressions and terms embedded in Saudi modern novels with a particular emphasis on Ragaa Alsanea’s Girls of Riyadhen-US
dc.titleTranslating dialectal expressions and terms embedded in Saudi modern novels with a particular emphasis on Ragaa Alsanea’s Girls of Riyadhes-ES
dc.typeinfo:eu-repo/semantics/article
dc.typeinfo:eu-repo/semantics/publishedVersion


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