Recently added

Dancing, a way of existing in the world. A reflection of Merleau-Ponty, Jean-Luc Nancy, and Paul Valéry

Bravo Guzman, Ailyn; Rodriguez Arratia, Nelson. Revista Actos; Vol. 4 Núm. 8 (2022): Revista Actos; 89-108

Theatre research in higher education: routes, challenges, returns

Vieites García, Manuel Francisco. Revista Actos; Vol. 4 Núm. 7 (2022): Revista Actos; 9-28

Nosotrxs-Piel, elasticidades y consistencias en torno a lo vinculante

Rojas Benvenuto, Tania Varinia. Revista Actos; Vol. 4 Núm. 8 (2022): Revista Actos; 147-150

Cultural activities and young generations

Le Breton, David. Revista Actos; Vol. 4 Núm. 7 (2022): Revista Actos; 3-8

Development of animated micro-film, a proposal from the user-centered design with a social focus

Mota Mata, José Fausto. Revista Actos; Vol. 2 Núm. 4 (2020): Revista Actos; 3-17

Aesthetics and politics in contemporary Chilean opera: neo-modern identities in some opera productions by Miguel Farías and Sebastián Errázuriz

Fernández Toro, Cristian. Revista Actos; Vol. 2 Núm. 3 (2020): Revista Actos; 74-91

Self-evaluation as a skill in the performing musician: from class evaluation to the acquisition of self-evaluation skill

Conti, Mirta; Díaz, Alberto; Blake, Mariano. Revista Actos; Vol. 3 Núm. 5 (2021): Revista Actos; 124-134

Always on sunday: The clandestine photographs of Jorge Tiscornia in the “penal de Libertad”

Conejo, Yazmin. Revista Actos; Vol. 3 Núm. 5 (2021): Revista Actos; 79-100

Tito Francia, Latin American composer. Technical-interpretive suggestions for approaching the first movement of your piano sonata

Saez Baldo, Alejandra. Revista Actos; Vol. 2 Núm. 4 (2020): Revista Actos; 54-65

Imaginary, identities and social relationships in a marching band: a case study

Marcos, Botelho. Revista Actos; Vol. 2 Núm. 4 (2020): Revista Actos; 114-134

Women and musicology in Latin America: towards updating a professional canon with a gender perspective

Arraño Astete, Constanza. Revista Actos; Vol. 3 Núm. 5 (2021): Revista Actos; 3-17

Reseña. Tradición e identidad en la música de concierto chilena

Vásquez, Jaime. Revista Actos; Vol. 2 Núm. 4 (2020): Revista Actos; 135-138

Reseña The Lighthouse: mares tenebrosos

Vidaurre Ferrada, Miguel Ángel. Revista Actos; Vol. 2 Núm. 3 (2020): Revista Actos; 122-124

Memory and scene reconstruction: Gustavo Meza and the post-coup Chilean playwriting

Albornoz, Adolfo. Revista Actos; Vol. 3 Núm. 6 (2021): Revista Actos; 3-18

Constructions of femininity in music documentaries about Chilean female musicians

Sentis Acuña, Catalina; Farías, Martín. Revista Actos; Vol. 4 Núm. 7 (2022): Revista Actos; 53-75

Where is the concept of media arts language?

Bernaschina, Diego. Revista Actos; Vol. 3 Núm. 6 (2021): Revista Actos; 119-131

Collective embroidery as a feminist practice in Abya Yala

Tapia de la Fuente, María. Revista Actos; Vol. 3 Núm. 6 (2021): Revista Actos; 63-79

Movement as a trigger for a particular theatricality

Falconi, Talía. Revista Actos; Vol. 3 Núm. 6 (2021): Revista Actos; 19-33

Piñen, aesthetic concept that expresses intersectional violence suffered by Mapuche-Mapurbe women

Huaiquimilla, Rodrigo. Revista Actos; Vol. 3 Núm. 6 (2021): Revista Actos; 50-62

Go Queer! Gender Outlaws in Lucía Puenzo and Marialy Rivas’ Cinema

Olivares, Magdalena. Revista Actos; Vol. 4 Núm. 7 (2022): Revista Actos; 76-88

ACTOS: Recent submissions

Dancing, a way of existing in the world. A reflection of Merleau-Ponty, Jean-Luc Nancy, and Paul Valéry ﻿

Theatre research in higher education: routes, challenges, returns ﻿

Nosotrxs-Piel, elasticidades y consistencias en torno a lo vinculante ﻿

Cultural activities and young generations ﻿

Development of animated micro-film, a proposal from the user-centered design with a social focus ﻿

Aesthetics and politics in contemporary Chilean opera: neo-modern identities in some opera productions by Miguel Farías and Sebastián Errázuriz ﻿

Self-evaluation as a skill in the performing musician: from class evaluation to the acquisition of self-evaluation skill ﻿

Always on sunday: The clandestine photographs of Jorge Tiscornia in the “penal de Libertad” ﻿

Tito Francia, Latin American composer. Technical-interpretive suggestions for approaching the first movement of your piano sonata ﻿

Imaginary, identities and social relationships in a marching band: a case study ﻿

Women and musicology in Latin America: towards updating a professional canon with a gender perspective ﻿

Reseña. Tradición e identidad en la música de concierto chilena ﻿

Reseña The Lighthouse: mares tenebrosos ﻿

Memory and scene reconstruction: Gustavo Meza and the post-coup Chilean playwriting ﻿

Constructions of femininity in music documentaries about Chilean female musicians ﻿

Where is the concept of media arts language? ﻿

Collective embroidery as a feminist practice in Abya Yala ﻿

Movement as a trigger for a particular theatricality ﻿

Piñen, aesthetic concept that expresses intersectional violence suffered by Mapuche-Mapurbe women ﻿

Go Queer! Gender Outlaws in Lucía Puenzo and Marialy Rivas’ Cinema ﻿