Recently added

Collaborators

Contrapulso. Contrapulso - Journal of Latin American Popular Music Studies; Vol 2 No 2 (2020): Contrapulso

Editorial

González, Juan Pablo. Contrapulso - Journal of Latin American Popular Music Studies; Vol 2 No 2 (2020): Contrapulso; 1-2

The group Sanampay: song and resistance during the Argentine exile in Mexico (1974-1983)

Luque, Candelaria María. Contrapulso - Journal of Latin American Popular Music Studies; Vol 2 No 2 (2020): Contrapulso; 17-34

Editorial

Gonzalez, Juan Pablo. Contrapulso - Journal of Latin American Popular Music Studies; Vol 2 No 1 (2020): Contrapulso; 1-2

Collaborators

Contrapulso. Contrapulso - Journal of Latin American Popular Music Studies; Vol 2 No 1 (2020): Contrapulso

“The social in movement”: the “expressive experiential” perspective in Argentinean popular dances

Díaz, Natalia. Contrapulso - Journal of Latin American Popular Music Studies; Vol 3 No 1 (2021): Contrapulso; 22-35

Editorial Team

Contrapulso. Contrapulso - Journal of Latin American Popular Music Studies; Vol 2 No 1 (2020): Contrapulso

Paulo Gustavo da Encarnação. 2018. Rock cá, Rock lá: A produção roqueira no Brasil e em Portugal - 1970/1985. São Paulo: Intermeios, 284 pp.

Ruiz Corrêa Martins, Manoel. Contrapulso - Journal of Latin American Popular Music Studies; Vol 2 No 2 (2020): Contrapulso; 95-99

Claudio Guerrero y Alekos Vuskovic. 2018. La música del Nuevo Cine Chileno. Santiago: Cuarto Propio, 347 pp.

Maldonado, Pablo. Contrapulso - Journal of Latin American Popular Music Studies; Vol 2 No 1 (2020): Contrapulso; 83-87

Juan Pablo González. 2017. Des/encuentros en la música popular chilena. 1970-1990. Santiago: Ediciones Universidad Alberto Hurtado, 339 pp.

Ponce, David. Contrapulso - Journal of Latin American Popular Music Studies; Vol 2 No 1 (2020): Contrapulso; 88-91

collaborators

Contrapulso. Contrapulso - Journal of Latin American Popular Music Studies; Vol 1 No 1 (2019): Contrapulso

Popular music against the grain of hegemonic sexual policies: 70's Brazil

Paranhos, Adalberto. Contrapulso - Journal of Latin American Popular Music Studies; Vol 1 No 1 (2019): Contrapulso

Editorial

Gonzalez, Juan Pablo. Contrapulso - Journal of Latin American Popular Music Studies; Vol 1 No 1 (2019): Contrapulso

Editorial Team

Contrapulso. Contrapulso - Journal of Latin American Popular Music Studies; Vol 1 No 1 (2019): Contrapulso

¿A fairy godmother at the servant dance? Ramona Galarza’s Argentinean littoral music records in the sixties

Adorni, Angélica. Contrapulso - Journal of Latin American Popular Music Studies; Vol 1 No 1 (2019): Contrapulso

The media construction of the musician and its production as politics: the role of the Chilean specialized press in the framework of independent musicians (2014-2018)

Figueroa-Bustos, Arturo. Contrapulso - Journal of Latin American Popular Music Studies; Vol 2 No 1 (2020): Contrapulso; 64-82

Universidad Alberto Hurtado: Recent submissions

Collaborators

Editorial

The group Sanampay: song and resistance during the Argentine exile in Mexico (1974-1983)

Editorial

Collaborators

“The social in movement”: the “expressive experiential” perspective in Argentinean popular dances

Editorial Team

Paulo Gustavo da Encarnação. 2018. Rock cá, Rock lá: A produção roqueira no Brasil e em Portugal - 1970/1985. São Paulo: Intermeios, 284 pp.

Claudio Guerrero y Alekos Vuskovic. 2018. La música del Nuevo Cine Chileno. Santiago: Cuarto Propio, 347 pp.

Juan Pablo González. 2017. Des/encuentros en la música popular chilena. 1970-1990. Santiago: Ediciones Universidad Alberto Hurtado, 339 pp.

collaborators

Popular music against the grain of hegemonic sexual policies: 70's Brazil

Editorial

Editorial Team

¿A fairy godmother at the servant dance? Ramona Galarza’s Argentinean littoral music records in the sixties

The media construction of the musician and its production as politics: the role of the Chilean specialized press in the framework of independent musicians (2014-2018)

Can Spaniards also be Latinos? Spanish identity in Latin popular music: C. Tangana’s case

Masculinities, passion and violence in the lyrics of the Cuarteto Cordobés (1976-1990)

Eroticized sound recording: music production and women in the popular music of Guayaquil

The feminine and the masculine in the milongas of Rio de la Plata of 1910: stereotypes and disputes

Universidad Alberto Hurtado: Recent submissions

Collaborators ﻿

Editorial ﻿

The group Sanampay: song and resistance during the Argentine exile in Mexico (1974-1983) ﻿

Editorial ﻿

Collaborators ﻿

“The social in movement”: the “expressive experiential” perspective in Argentinean popular dances ﻿

Editorial Team ﻿

Paulo Gustavo da Encarnação. 2018. Rock cá, Rock lá: A produção roqueira no Brasil e em Portugal - 1970/1985. São Paulo: Intermeios, 284 pp. ﻿

Claudio Guerrero y Alekos Vuskovic. 2018. La música del Nuevo Cine Chileno. Santiago: Cuarto Propio, 347 pp. ﻿

Juan Pablo González. 2017. Des/encuentros en la música popular chilena. 1970-1990. Santiago: Ediciones Universidad Alberto Hurtado, 339 pp. ﻿

collaborators ﻿

Popular music against the grain of hegemonic sexual policies: 70's Brazil ﻿

Editorial ﻿

Editorial Team ﻿

¿A fairy godmother at the servant dance? Ramona Galarza’s Argentinean littoral music records in the sixties ﻿

The media construction of the musician and its production as politics: the role of the Chilean specialized press in the framework of independent musicians (2014-2018) ﻿

Can Spaniards also be Latinos? Spanish identity in Latin popular music: C. Tangana’s case ﻿

Masculinities, passion and violence in the lyrics of the Cuarteto Cordobés (1976-1990) ﻿

Eroticized sound recording: music production and women in the popular music of Guayaquil ﻿

The feminine and the masculine in the milongas of Rio de la Plata of 1910: stereotypes and disputes ﻿

Collaborators

Editorial

The group Sanampay: song and resistance during the Argentine exile in Mexico (1974-1983)

Editorial

Collaborators

“The social in movement”: the “expressive experiential” perspective in Argentinean popular dances

Editorial Team

Paulo Gustavo da Encarnação. 2018. Rock cá, Rock lá: A produção roqueira no Brasil e em Portugal - 1970/1985. São Paulo: Intermeios, 284 pp.

Claudio Guerrero y Alekos Vuskovic. 2018. La música del Nuevo Cine Chileno. Santiago: Cuarto Propio, 347 pp.

Juan Pablo González. 2017. Des/encuentros en la música popular chilena. 1970-1990. Santiago: Ediciones Universidad Alberto Hurtado, 339 pp.

collaborators

Popular music against the grain of hegemonic sexual policies: 70's Brazil

Editorial

Editorial Team

¿A fairy godmother at the servant dance? Ramona Galarza’s Argentinean littoral music records in the sixties

The media construction of the musician and its production as politics: the role of the Chilean specialized press in the framework of independent musicians (2014-2018)

Can Spaniards also be Latinos? Spanish identity in Latin popular music: C. Tangana’s case

Masculinities, passion and violence in the lyrics of the Cuarteto Cordobés (1976-1990)

Eroticized sound recording: music production and women in the popular music of Guayaquil

The feminine and the masculine in the milongas of Rio de la Plata of 1910: stereotypes and disputes