Recently added

The nightingale and the commoner: The United States of America and popular song in Mexico and Peru in the 1920s

Sarmiento, Rodrigo. Contrapulso - Journal of Latin American Popular Music Studies; Vol 3 No 1 (2021): Contrapulso; 4-21

The sound of the female voice in the early recorded work (1933-1940) of Xavier Cugat. A tropical multimodality

Pérez Valero, Luis. Contrapulso - Journal of Latin American Popular Music Studies; Vol 3 No 2 (2021): Contrapulso; 6-23

Joy of the countercurrent: The many carnivals in Santiago as spaces for reconstructing community

Ardito, Lorena; Puentes, César. Contrapulso - Journal of Latin American Popular Music Studies; Vol 3 No 2 (2021): Contrapulso; 90-108

The quena in Chilean popular music: transfer and genealogy of an imagined instrument

Oyarzún Zambrano, Luciano. Contrapulso - Journal of Latin American Popular Music Studies; Vol 3 No 1 (2021): Contrapulso; 49-65

Editorial Team

admin, admin. Contrapulso - Journal of Latin American Popular Music Studies; Vol 3 No 1 (2021): Contrapulso

Picky Talarico. 2020. Rompan todo: La historia del rock en América Latina. Buenos Aires/Nueva York: Red Creek Productions, 6 episodios, documental.

García, Marisol. Contrapulso - Journal of Latin American Popular Music Studies; Vol 3 No 2 (2021): Contrapulso; 109-114

Nathaly Calderón, Tomás Cornejo y Karen Salazar. 2019. Libro pedagógico cancioneros populares, investigación y patrimonio del archivo al aula.

Silva Piña, María Jesús. Contrapulso - Journal of Latin American Popular Music Studies; Vol 3 No 1 (2021): Contrapulso; 91-94

Metal Medallo: the Stertor as Aesthetic of Violence in Eighties Medellin

Parra Valencia, Juan Diego; Herrera Coronado, Mónica Alejandra; Sans Moreira, Juan Francisco. Contrapulso - Journal of Latin American Popular Music Studies; Vol 3 No 2 (2021): Contrapulso; 24-38

“Getting to know my voice, finding my flow”: vocal and musical performance in Reggaetón and Latin Trap through the case of Bryant Myers

Díaz Pinto, Ana María; Robledo-Thompson, Macarena. Contrapulso - Journal of Latin American Popular Music Studies; Vol 3 No 2 (2021): Contrapulso; 39-56

Becoming enraged: Lemebel, Paquita la del Barrio and “the language of anger”

Jarpa Manzur, María del Pilar. Contrapulso - Journal of Latin American Popular Music Studies; Vol 4 No 1 (2022): Contrapulso; 19-36

Cecilia Arellano y Mario Martínez. 2018. La voz popular. Caminos posibles del canto. Buenos Aires: Música Nuestra, 211 pp.

Salton, Ricardo Daniel. Contrapulso - Journal of Latin American Popular Music Studies; Vol 3 No 2 (2021): Contrapulso; 115-118

Malambo: just a dance? Articulations of meaning between music, memory and identity(s)

Pacheco, Gimena. Contrapulso - Journal of Latin American Popular Music Studies; Vol 3 No 1 (2021): Contrapulso; 36-48

The appropriation of Nino Bravo’s song “Libre” during the Pinochet regime: reconstructing the birth of a myth

Lewin Velasco, Josefina. Contrapulso - Journal of Latin American Popular Music Studies; Vol 2 No 2 (2020): Contrapulso; 35-49

Participate, observe, investigate: the method as a process

Junqueira, Humberto. Contrapulso - Journal of Latin American Popular Music Studies; Vol 2 No 2 (2020): Contrapulso; 80-91

The challenge of immediacy for the murga scene in Chile. Satirical musical expressions in contexts of social distancing

Gana Nuñez, Alejandro. Contrapulso - Journal of Latin American Popular Music Studies; Vol 2 No 2 (2020): Contrapulso; 50-64

The rise of competition freestyle in Chile: batalla de gallos as a renewed way of making and consuming hip-hop

Rodríguez Vega, Nelson. Contrapulso - Journal of Latin American Popular Music Studies; Vol 2 No 2 (2020): Contrapulso; 65-79

“An Evening with Salvador Allende”: from a suspended milestone to a suspension of the milestone

Ramírez Figueroa, Juan Carlos. Contrapulso - Journal of Latin American Popular Music Studies; Vol 2 No 2 (2020): Contrapulso; 3-16

Jesús Cosamalón y José Carlos Rojas. 2020. “¡Qué cosa tan linda!” Una introducción al estudio de la salsa en el Perú. Lima: Pontificia Universidad Católica del Perú, 174 pp.

Melgar Wong, Francisco. Contrapulso - Journal of Latin American Popular Music Studies; Vol 2 No 2 (2020): Contrapulso; 100-103

David Spener. 2017. “No nos moverán”: biografía de una canción de lucha. Santiago: LOM ediciones, 179 pp.

Romera Figueroa, Elia. Contrapulso - Journal of Latin American Popular Music Studies; Vol 2 No 2 (2020): Contrapulso; 92-94

William Moylan. 2020. Recording Analysis. How the Record Shapes the Song. Nueva York: Routledge, 568 pp.

Pérez Valero, Luis. Contrapulso - Journal of Latin American Popular Music Studies; Vol 2 No 2 (2020): Contrapulso; 104-106

Universidad Alberto Hurtado: Recent submissions

The nightingale and the commoner: The United States of America and popular song in Mexico and Peru in the 1920s ﻿

The sound of the female voice in the early recorded work (1933-1940) of Xavier Cugat. A tropical multimodality ﻿

Joy of the countercurrent: The many carnivals in Santiago as spaces for reconstructing community ﻿

The quena in Chilean popular music: transfer and genealogy of an imagined instrument ﻿

Editorial Team ﻿

Picky Talarico. 2020. Rompan todo: La historia del rock en América Latina. Buenos Aires/Nueva York: Red Creek Productions, 6 episodios, documental. ﻿

Nathaly Calderón, Tomás Cornejo y Karen Salazar. 2019. Libro pedagógico cancioneros populares, investigación y patrimonio del archivo al aula. ﻿

Metal Medallo: the Stertor as Aesthetic of Violence in Eighties Medellin ﻿

“Getting to know my voice, finding my flow”: vocal and musical performance in Reggaetón and Latin Trap through the case of Bryant Myers ﻿

Becoming enraged: Lemebel, Paquita la del Barrio and “the language of anger” ﻿

Cecilia Arellano y Mario Martínez. 2018. La voz popular. Caminos posibles del canto. Buenos Aires: Música Nuestra, 211 pp. ﻿

Malambo: just a dance? Articulations of meaning between music, memory and identity(s) ﻿

The appropriation of Nino Bravo’s song “Libre” during the Pinochet regime: reconstructing the birth of a myth ﻿

Participate, observe, investigate: the method as a process ﻿

The challenge of immediacy for the murga scene in Chile. Satirical musical expressions in contexts of social distancing ﻿

The rise of competition freestyle in Chile: batalla de gallos as a renewed way of making and consuming hip-hop ﻿

“An Evening with Salvador Allende”: from a suspended milestone to a suspension of the milestone ﻿

Jesús Cosamalón y José Carlos Rojas. 2020. “¡Qué cosa tan linda!” Una introducción al estudio de la salsa en el Perú. Lima: Pontificia Universidad Católica del Perú, 174 pp. ﻿

David Spener. 2017. “No nos moverán”: biografía de una canción de lucha. Santiago: LOM ediciones, 179 pp. ﻿

William Moylan. 2020. Recording Analysis. How the Record Shapes the Song. Nueva York: Routledge, 568 pp. ﻿