Universidad Alberto Hurtado: Recent submissions
Now showing items 101-120 of 1972
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Malambo: just a dance? Articulations of meaning between music, memory and identity(s)
. Contrapulso - Journal of Latin American Popular Music Studies; Vol 3 No 1 (2021): Contrapulso; 36-48 -
The appropriation of Nino Bravo’s song “Libre” during the Pinochet regime: reconstructing the birth of a myth
. Contrapulso - Journal of Latin American Popular Music Studies; Vol 2 No 2 (2020): Contrapulso; 35-49 -
Participate, observe, investigate: the method as a process
. Contrapulso - Journal of Latin American Popular Music Studies; Vol 2 No 2 (2020): Contrapulso; 80-91 -
The challenge of immediacy for the murga scene in Chile. Satirical musical expressions in contexts of social distancing
. Contrapulso - Journal of Latin American Popular Music Studies; Vol 2 No 2 (2020): Contrapulso; 50-64 -
The rise of competition freestyle in Chile: batalla de gallos as a renewed way of making and consuming hip-hop
. Contrapulso - Journal of Latin American Popular Music Studies; Vol 2 No 2 (2020): Contrapulso; 65-79 -
“An Evening with Salvador Allende”: from a suspended milestone to a suspension of the milestone
. Contrapulso - Journal of Latin American Popular Music Studies; Vol 2 No 2 (2020): Contrapulso; 3-16 -
Jesús Cosamalón y José Carlos Rojas. 2020. “¡Qué cosa tan linda!” Una introducción al estudio de la salsa en el Perú. Lima: Pontificia Universidad Católica del Perú, 174 pp.
. Contrapulso - Journal of Latin American Popular Music Studies; Vol 2 No 2 (2020): Contrapulso; 100-103 -
David Spener. 2017. “No nos moverán”: biografía de una canción de lucha. Santiago: LOM ediciones, 179 pp.
. Contrapulso - Journal of Latin American Popular Music Studies; Vol 2 No 2 (2020): Contrapulso; 92-94 -
William Moylan. 2020. Recording Analysis. How the Record Shapes the Song. Nueva York: Routledge, 568 pp.
. Contrapulso - Journal of Latin American Popular Music Studies; Vol 2 No 2 (2020): Contrapulso; 104-106 -
Collaborators
. Contrapulso - Journal of Latin American Popular Music Studies; Vol 2 No 2 (2020): Contrapulso -
Editorial
. Contrapulso - Journal of Latin American Popular Music Studies; Vol 2 No 2 (2020): Contrapulso; 1-2 -
The group Sanampay: song and resistance during the Argentine exile in Mexico (1974-1983)
. Contrapulso - Journal of Latin American Popular Music Studies; Vol 2 No 2 (2020): Contrapulso; 17-34 -
Editorial
. Contrapulso - Journal of Latin American Popular Music Studies; Vol 2 No 1 (2020): Contrapulso; 1-2 -
Collaborators
. Contrapulso - Journal of Latin American Popular Music Studies; Vol 2 No 1 (2020): Contrapulso -
“The social in movement”: the “expressive experiential” perspective in Argentinean popular dances
. Contrapulso - Journal of Latin American Popular Music Studies; Vol 3 No 1 (2021): Contrapulso; 22-35 -
Editorial Team
. Contrapulso - Journal of Latin American Popular Music Studies; Vol 2 No 1 (2020): Contrapulso -
Paulo Gustavo da Encarnação. 2018. Rock cá, Rock lá: A produção roqueira no Brasil e em Portugal - 1970/1985. São Paulo: Intermeios, 284 pp.
. Contrapulso - Journal of Latin American Popular Music Studies; Vol 2 No 2 (2020): Contrapulso; 95-99 -
Claudio Guerrero y Alekos Vuskovic. 2018. La música del Nuevo Cine Chileno. Santiago: Cuarto Propio, 347 pp.
. Contrapulso - Journal of Latin American Popular Music Studies; Vol 2 No 1 (2020): Contrapulso; 83-87 -
Juan Pablo González. 2017. Des/encuentros en la música popular chilena. 1970-1990. Santiago: Ediciones Universidad Alberto Hurtado, 339 pp.
. Contrapulso - Journal of Latin American Popular Music Studies; Vol 2 No 1 (2020): Contrapulso; 88-91 -
collaborators
. Contrapulso - Journal of Latin American Popular Music Studies; Vol 1 No 1 (2019): Contrapulso