Universidad Alberto Hurtado: Recent submissions
Now showing items 101-120 of 2043
-
Dossier: “Exile albums: popular music, politics and experiences”
. Contrapulso - Journal of Latin American Popular Music Studies; Vol 6 No 1 (2024): Contrapulso; 4-6 -
Collaboretors
. Contrapulso - Journal of Latin American Popular Music Studies; Vol 6 No 1 (2024): Contrapulso -
Editorial
. Contrapulso - Journal of Latin American Popular Music Studies; Vol 6 No 1 (2024): Contrapulso; 1-3 -
“Because tomorrow the boulevard will open”. The exile experience of Chilean musicians in Mexico: a space for the political-musical resistance of Chilean New Song
. Contrapulso - Journal of Latin American Popular Music Studies; Vol 6 No 1 (2024): Contrapulso; 56-72 -
Imaginaries and hybridization in Paquito D’Rivera
. Contrapulso - Journal of Latin American Popular Music Studies; Vol 6 No 1 (2024): Contrapulso; 23-39 -
Vñvm, con colaboraciones de Waikil, Daniela Millaleo, Ketrafe y Tüfachi Beat. 2022. Inatugen BSO. Banda sonora original para el documental Bajo Sospecha: Zokunentu. Álbum digital, 10 pistas. Spotify, Apple Music, Deezer, Anghami.
. Contrapulso - Journal of Latin American Popular Music Studies; Vol 5 No 1 (2023): Contrapulso; 115-118 -
Cristofer Rodríguez. 2022. Con el corazón aquí. Estado, mercado, juventudes y la Asociación de Trabajadores del Rock en la transición a la democracia (1991-1995). Santiago: Ediciones Universidad Alberto Hurtado, 168 pp.
. Contrapulso - Journal of Latin American Popular Music Studies; Vol 5 No 1 (2023): Contrapulso; 111-114 -
Juan Pablo González. 2022. Música popular chilena de autor. Industria y ciudadanía a fines del siglo XX. Santiago: Ediciones UC, 556 pp.
. Contrapulso - Journal of Latin American Popular Music Studies; Vol 5 No 1 (2023): Contrapulso; 107-110 -
“Theater is for everyone, but not for everything”: the arrival of La Barra to the Teatro del Libertador General San Martín
. Contrapulso - Journal of Latin American Popular Music Studies; Vol 5 No 2 (2023): Contrapulso; 110-124 -
"Ultra Solo" by Polimá Westcoast ft. Pailita as a reference for the popularity of Chilean urban genre
. Contrapulso - Journal of Latin American Popular Music Studies; Vol 5 No 2 (2023): Contrapulso; 91-109 -
Ancestral languages and urban music: hip-hop through kichwa. The Nin, a case study
. Contrapulso - Journal of Latin American Popular Music Studies; Vol 5 No 2 (2023): Contrapulso; 40-53 -
El mensaje de Arme: planteamiento ético estético de una banda de rock otomí
. Contrapulso - Journal of Latin American Popular Music Studies; Vol 5 No 2 (2023): Contrapulso; 8-21 -
“Pedro Navaja”: a song designed like a comic
. Contrapulso - Journal of Latin American Popular Music Studies; Vol 5 No 2 (2023): Contrapulso; 72-90 -
María José Barros Cruz. 2023. La música de Ana Tijoux. Activismo, nuevas solidaridades y voces de la calle (Chile 1997 2020). Santiago: Fondo de Cultura Económica, 138 pp.
. Contrapulso - Journal of Latin American Popular Music Studies; Vol 5 No 2 (2023): Contrapulso; 137-141 -
Editorial
. Contrapulso - Journal of Latin American Popular Music Studies; Vol 5 No 1 (2023): Contrapulso; 1-3 -
Collaboretors
. Contrapulso - Journal of Latin American Popular Music Studies; Vol 5 No 1 (2023): Contrapulso -
Jineteadas and meetings of payadores: performance of payada from Rio de la Plata in Chile
. Contrapulso - Journal of Latin American Popular Music Studies; Vol 5 No 1 (2023): Contrapulso; 80-94 -
“La quebrá’ del ají”: legendary place and community in the work of Los Jaivas.
. Contrapulso - Journal of Latin American Popular Music Studies; Vol 5 No 1 (2023): Contrapulso; 31-47 -
The experience of the vocal group Santiago Cuatro and its members: modernization, tensions and projections
. Contrapulso - Journal of Latin American Popular Music Studies; Vol 5 No 1 (2023): Contrapulso; 48-62 -
From the LP Siembra to the single “La gozadera”: the mestizo myth of Latin American integration
. Contrapulso - Journal of Latin American Popular Music Studies; Vol 5 No 1 (2023): Contrapulso; 16-30