Recently added

“The Way I Loved You”: love and suffering in popular song

López, Rocío Estefani. Contrapulso - Journal of Latin American Popular Music Studies; Vol 4 No 2 (2022): Contrapulso; 18-31

Paulina Briceño (A.K.A Brita la Matriarca). 2021. Ser Bgirl. Filosofía del Hip Hop. Santiago: Autoedición, 240 pp.

Marqués, Tomás G.. Contrapulso - Journal of Latin American Popular Music Studies; Vol 4 No 1 (2022): Contrapulso; 128-131

Barras y Métricas / Freestyle Revolution

Rodríguez Vega, Nelson. Contrapulso - Journal of Latin American Popular Music Studies; Vol 4 No 2 (2022): Contrapulso; 110-113

Dosier Música, sentimientos y afectos

Valdebenito, Lorena; Luit, Martín. Contrapulso - Journal of Latin American Popular Music Studies; Vol 4 No 2 (2022): Contrapulso; 4-7

Editorial

González, Juan Pablo. Contrapulso - Journal of Latin American Popular Music Studies; Vol 4 No 2 (2022): Contrapulso; 1-3

Collaboretors

Contrapulso. Contrapulso - Journal of Latin American Popular Music Studies; Vol 4 No 2 (2022): Contrapulso

“Qué gris estaba la tarde”: legitimation in the music of Mazapán of objected childhood emotions

Poveda, Juan Carlos. Contrapulso - Journal of Latin American Popular Music Studies; Vol 4 No 2 (2022): Contrapulso; 32-44

“Folk Consciousness”: The patriotic feeling reaffirmed by the discourse of the magazine Folklore (1961-1981)

Parodi, Julia. Contrapulso - Journal of Latin American Popular Music Studies; Vol 5 No 1 (2023): Contrapulso; 63-79

Maternal thought, affections and emotions in the song “Parto” (2015) by the duo Barone-González

Suppicich, Fernanda. Contrapulso - Journal of Latin American Popular Music Studies; Vol 4 No 2 (2022): Contrapulso; 45-59

Mariel's journey: Sui Generis and intergenerational tensions around sexual morality in the early seventies

Guzmán, Facundo. Contrapulso - Journal of Latin American Popular Music Studies; Vol 4 No 2 (2022): Contrapulso; 8-17

Bartolina Xixa dances in a garbage dump: body, sound and performance of a permanent coloniality

Díaz, Natalia; Pesci, Gianni. Contrapulso - Journal of Latin American Popular Music Studies; Vol 5 No 1 (2023): Contrapulso; 95-106

A song forever? The evolution of pop music promotion, from the mezzanine piano to Spotify recommendations

Martínez-Gamboa, Ricardo. Contrapulso - Journal of Latin American Popular Music Studies; Vol 5 No 1 (2023): Contrapulso; 4-15

Dossier Voces y vocalidades en música popular

Osorio, Javier; Jordán, Laura. Contrapulso - Journal of Latin American Popular Music Studies; Vol 3 No 2 (2021): Contrapulso; 3-5

Approach to the relationship between the Chilean metal scene and Mapuche, Selk’nam and Kawésqar indigenous cultures

Koplow Villavicencio, Jan. Contrapulso - Journal of Latin American Popular Music Studies; Vol 4 No 2 (2022): Contrapulso; 78-93

From the voice to the symbol: Amália and Gardel as Port song stars

Dalbosco, Dulce María. Contrapulso - Journal of Latin American Popular Music Studies; Vol 4 No 1 (2022): Contrapulso; 4-18

El incendio del poniente (1984) in the Argentine democratic spring: folklore and youth in the solo album by Jacinto Piedra.

Mariani, Tomás. Contrapulso - Journal of Latin American Popular Music Studies; Vol 4 No 1 (2022): Contrapulso; 89-101

The traditional paradigm of Cuarteto Cordobés. Sounds, words and stories

Montes, Maria de los Angeles. Contrapulso - Journal of Latin American Popular Music Studies; Vol 4 No 1 (2022): Contrapulso; 37-53

The voice of Mercedes Sosa for the poetry of Armando Tejada Gómez. An analysis of interpretation as a contribution to the study of singing

Godoy, Nilda. Contrapulso - Journal of Latin American Popular Music Studies; Vol 4 No 1 (2022): Contrapulso; 75-88

“Química”, by Mauricio Redolés: a chronicle of the student movement during the Chilean military dictatorship

Navarro Pinto, Víctor. Contrapulso - Journal of Latin American Popular Music Studies; Vol 4 No 1 (2022): Contrapulso; 102-117

Mysterious “Azabache”: contextualization and analysis of Astor Piazzolla’s first arrangement for the Aníbal Troilo orchestra

Serafini, Andrés. Contrapulso - Journal of Latin American Popular Music Studies; Vol 4 No 1 (2022): Contrapulso; 54-74

Universidad Alberto Hurtado: Recent submissions

“The Way I Loved You”: love and suffering in popular song ﻿

Paulina Briceño (A.K.A Brita la Matriarca). 2021. Ser Bgirl. Filosofía del Hip Hop. Santiago: Autoedición, 240 pp. ﻿

Barras y Métricas / Freestyle Revolution ﻿

Dosier Música, sentimientos y afectos ﻿

Editorial ﻿

Collaboretors ﻿

“Qué gris estaba la tarde”: legitimation in the music of Mazapán of objected childhood emotions ﻿

“Folk Consciousness”: The patriotic feeling reaffirmed by the discourse of the magazine Folklore (1961-1981) ﻿

Maternal thought, affections and emotions in the song “Parto” (2015) by the duo Barone-González ﻿

Mariel's journey: Sui Generis and intergenerational tensions around sexual morality in the early seventies ﻿

Bartolina Xixa dances in a garbage dump: body, sound and performance of a permanent coloniality ﻿

A song forever? The evolution of pop music promotion, from the mezzanine piano to Spotify recommendations ﻿

Dossier Voces y vocalidades en música popular ﻿

Approach to the relationship between the Chilean metal scene and Mapuche, Selk’nam and Kawésqar indigenous cultures ﻿

From the voice to the symbol: Amália and Gardel as Port song stars ﻿

El incendio del poniente (1984) in the Argentine democratic spring: folklore and youth in the solo album by Jacinto Piedra. ﻿

The traditional paradigm of Cuarteto Cordobés. Sounds, words and stories ﻿

The voice of Mercedes Sosa for the poetry of Armando Tejada Gómez. An analysis of interpretation as a contribution to the study of singing ﻿

“Química”, by Mauricio Redolés: a chronicle of the student movement during the Chilean military dictatorship ﻿

Mysterious “Azabache”: contextualization and analysis of Astor Piazzolla’s first arrangement for the Aníbal Troilo orchestra ﻿