Recently added

MASS CULTURE, SIMULACRA AND ARCHITECTURE COMPETITIONS: AN APPROACH TO THE GLOBAL MOSAIC OF IMAGES FOR NOTRE-DAME DE PARIS

Díaz García, Asunción. Revista 180; Núm. 50 (2022)

FEMININITY AND NEUROSIS IN MICHELANGELO ANTONIONI’S RED DESERT

Ituarte Pérez, Leire. Revista 180; Núm. 50 (2022)

WOMEN OF COLOR ON STAGE. CURATORIAL ACTIVISM AND DECOLONIAL FEMINISM IN TWO CONTEMPORARY ARTS PROPOSALS IN LATIN AMERICA

Díaz Mattei, Andrea. Revista 180; Núm. 50 (2022)

METHODOLOGY FOR THE ASSESSMENT OF ACCESSIBILITY AND LEGIBILITY FOR URBAN RIVERBANKS IN SOUTHERN CHILE

Andersen Cirera, Karen; Orellana Rueda, Alejandra. Revista 180; Núm. 50 (2022)

FULLER VS. BAKER: MUSES OF THE ARTISTIC REPRESENTATION OF THE MOVEMENT AT THE DAWN OF THE 20TH CENTURY

Amado Lorenzo, Antonio; Arévalo Rodríguez, Federico; Escoda Pastor, María Carmen. Revista 180; Núm. 50 (2022)

READING HERITAGE: THE CONVENTIONAL VERSUS THE FORBIDDEN

Jara Molineros, Juan Pablo; Aguirre Ullauri, María del Cisne; Contreras Escandón, Christian. Revista 180; Núm. 50 (2022)

THE INFORMATION DESIGN OF INTERACTIVE PRESS VISUALIZATION IN THE SPREAD OF THE COVID-19 PANDEMIC: THE CASE STUDY OF THE NEW YORK TIMES NEWSPAPER

Montes Rojas, Ma. Luisa; González Velez, Jaqueline; Pier Castello, Maria Luisa. Revista 180; Núm. 50 (2022)

CULTURAL TECHNIQUES AND AESTHETIC TACTICS FOR A NEW NATURAL CONTRACT. TOWARDS A THIRD SPACE FROM SOUTHERN SENSIBILITIES

Trujillo Osorio, Nicolás Alejandro; Cotoras Straub, Dusan. Revista 180; Núm. 48 (2021)

HACER(NOS)FUEGO: A CURATORIAL PROPOSAL IN PROGRESS

Croxatto Díaz, Bernardita Maria; Blesa Cábez, Elena; Chacón Bernal, Carolina; Ibañez Figueroa, Isabel; Villegas G., Luisa; Mongan, Guillermina; Muñoz, Maria jose; Tasara Sanchéz, Sofía. Revista 180; Núm. 48 (2021)

THE ABSTRACT WEFT: PAULINA BRUGNOLI AND THE MUSEO DE ARTE CONTEMPORÁNEO’S TAPESTRY

de la Maza, Josefina. Revista 180; Núm. 48 (2021)

DE LA MUSEOLOGÍA, LA MUSEOGRAFÍA, LA EXPOGRAFÍA Y AFINES

Sato, Alberto. Revista 180; Núm. 48 (2021)

Assessment of the Sitioviejo historical center in the Municipality Titiribí-Antioquía, as an industrial heritage category

Jaramillo Uribe, Germán. Revista 180; Núm. 47 (2021)

THE PLOT: MIRACLE AND MIRAGE

Stutzin Donoso, Nicolás; Correa Vergara, Javier; Celedón Forster, Alejandra. Revista 180; Núm. 48 (2021)

A RESILIENT CURATORSHIP: ANCESTRAL HERITAGE AND CONTEMPORARY ART

de Nordenflycht, José. Revista 180; Núm. 48 (2021)

DISCRIMINATION AND COLONIALITY IN THE ALGORITHMIC VISION. ARTISTIC APPROACHES FOR A CRITICAL REVIEW OF PEOPLE'S CLASSIFICATION

Idárraga Franco, Hugo Felipe. Revista 180; Núm. 48 (2021)

Revista 180: Recent submissions

MASS CULTURE, SIMULACRA AND ARCHITECTURE COMPETITIONS: AN APPROACH TO THE GLOBAL MOSAIC OF IMAGES FOR NOTRE-DAME DE PARIS

FEMININITY AND NEUROSIS IN MICHELANGELO ANTONIONI’S RED DESERT

WOMEN OF COLOR ON STAGE. CURATORIAL ACTIVISM AND DECOLONIAL FEMINISM IN TWO CONTEMPORARY ARTS PROPOSALS IN LATIN AMERICA

METHODOLOGY FOR THE ASSESSMENT OF ACCESSIBILITY AND LEGIBILITY FOR URBAN RIVERBANKS IN SOUTHERN CHILE

FULLER VS. BAKER: MUSES OF THE ARTISTIC REPRESENTATION OF THE MOVEMENT AT THE DAWN OF THE 20TH CENTURY

READING HERITAGE: THE CONVENTIONAL VERSUS THE FORBIDDEN

THE INFORMATION DESIGN OF INTERACTIVE PRESS VISUALIZATION IN THE SPREAD OF THE COVID-19 PANDEMIC: THE CASE STUDY OF THE NEW YORK TIMES NEWSPAPER

CULTURAL TECHNIQUES AND AESTHETIC TACTICS FOR A NEW NATURAL CONTRACT. TOWARDS A THIRD SPACE FROM SOUTHERN SENSIBILITIES

HACER(NOS)FUEGO: A CURATORIAL PROPOSAL IN PROGRESS

THE ABSTRACT WEFT: PAULINA BRUGNOLI AND THE MUSEO DE ARTE CONTEMPORÁNEO’S TAPESTRY

DE LA MUSEOLOGÍA, LA MUSEOGRAFÍA, LA EXPOGRAFÍA Y AFINES

Assessment of the Sitioviejo historical center in the Municipality Titiribí-Antioquía, as an industrial heritage category

THE PLOT: MIRACLE AND MIRAGE

A RESILIENT CURATORSHIP: ANCESTRAL HERITAGE AND CONTEMPORARY ART

DISCRIMINATION AND COLONIALITY IN THE ALGORITHMIC VISION. ARTISTIC APPROACHES FOR A CRITICAL REVIEW OF PEOPLE'S CLASSIFICATION

THE DOMESTIC EXPERIMENT. DOMESTICITY AND EXPERIMENTATION IN THE NICANOR PARRA HOUSE-LABORATORY

WEFTS AND MURMURS IN THE STORIES OF LATIN AMERICAN ART EXHIBITIONS

ARCHAEOLOGIES OF LOOKING: CRITICAL REACTIVATION OF THE VIDEO-INSTALLATION THE EXPULSION OF THE MOORS (1990) BY RAÚL RUIZ

THE PLURALITY OF A SINGULAR CONCEPT. “CHILEAN HOUSE: DOMESTIC IMAGES” (2020)

City, art, bodies: Resignifications of film space in Ema (Pablo Larraín, 2019)

Revista 180: Recent submissions

MASS CULTURE, SIMULACRA AND ARCHITECTURE COMPETITIONS: AN APPROACH TO THE GLOBAL MOSAIC OF IMAGES FOR NOTRE-DAME DE PARIS ﻿

FEMININITY AND NEUROSIS IN MICHELANGELO ANTONIONI’S RED DESERT ﻿

WOMEN OF COLOR ON STAGE. CURATORIAL ACTIVISM AND DECOLONIAL FEMINISM IN TWO CONTEMPORARY ARTS PROPOSALS IN LATIN AMERICA ﻿

METHODOLOGY FOR THE ASSESSMENT OF ACCESSIBILITY AND LEGIBILITY FOR URBAN RIVERBANKS IN SOUTHERN CHILE ﻿

FULLER VS. BAKER: MUSES OF THE ARTISTIC REPRESENTATION OF THE MOVEMENT AT THE DAWN OF THE 20TH CENTURY ﻿

READING HERITAGE: THE CONVENTIONAL VERSUS THE FORBIDDEN ﻿

THE INFORMATION DESIGN OF INTERACTIVE PRESS VISUALIZATION IN THE SPREAD OF THE COVID-19 PANDEMIC: THE CASE STUDY OF THE NEW YORK TIMES NEWSPAPER ﻿

CULTURAL TECHNIQUES AND AESTHETIC TACTICS FOR A NEW NATURAL CONTRACT. TOWARDS A THIRD SPACE FROM SOUTHERN SENSIBILITIES ﻿

HACER(NOS)FUEGO: A CURATORIAL PROPOSAL IN PROGRESS ﻿

THE ABSTRACT WEFT: PAULINA BRUGNOLI AND THE MUSEO DE ARTE CONTEMPORÁNEO’S TAPESTRY ﻿

DE LA MUSEOLOGÍA, LA MUSEOGRAFÍA, LA EXPOGRAFÍA Y AFINES ﻿

Assessment of the Sitioviejo historical center in the Municipality Titiribí-Antioquía, as an industrial heritage category ﻿

THE PLOT: MIRACLE AND MIRAGE ﻿

A RESILIENT CURATORSHIP: ANCESTRAL HERITAGE AND CONTEMPORARY ART ﻿

DISCRIMINATION AND COLONIALITY IN THE ALGORITHMIC VISION. ARTISTIC APPROACHES FOR A CRITICAL REVIEW OF PEOPLE'S CLASSIFICATION ﻿

THE DOMESTIC EXPERIMENT. DOMESTICITY AND EXPERIMENTATION IN THE NICANOR PARRA HOUSE-LABORATORY ﻿

WEFTS AND MURMURS IN THE STORIES OF LATIN AMERICAN ART EXHIBITIONS ﻿

ARCHAEOLOGIES OF LOOKING: CRITICAL REACTIVATION OF THE VIDEO-INSTALLATION THE EXPULSION OF THE MOORS (1990) BY RAÚL RUIZ ﻿

THE PLURALITY OF A SINGULAR CONCEPT. “CHILEAN HOUSE: DOMESTIC IMAGES” (2020) ﻿

City, art, bodies: Resignifications of film space in Ema (Pablo Larraín, 2019) ﻿

MASS CULTURE, SIMULACRA AND ARCHITECTURE COMPETITIONS: AN APPROACH TO THE GLOBAL MOSAIC OF IMAGES FOR NOTRE-DAME DE PARIS

FEMININITY AND NEUROSIS IN MICHELANGELO ANTONIONI’S RED DESERT

WOMEN OF COLOR ON STAGE. CURATORIAL ACTIVISM AND DECOLONIAL FEMINISM IN TWO CONTEMPORARY ARTS PROPOSALS IN LATIN AMERICA

METHODOLOGY FOR THE ASSESSMENT OF ACCESSIBILITY AND LEGIBILITY FOR URBAN RIVERBANKS IN SOUTHERN CHILE

FULLER VS. BAKER: MUSES OF THE ARTISTIC REPRESENTATION OF THE MOVEMENT AT THE DAWN OF THE 20TH CENTURY

READING HERITAGE: THE CONVENTIONAL VERSUS THE FORBIDDEN

THE INFORMATION DESIGN OF INTERACTIVE PRESS VISUALIZATION IN THE SPREAD OF THE COVID-19 PANDEMIC: THE CASE STUDY OF THE NEW YORK TIMES NEWSPAPER

CULTURAL TECHNIQUES AND AESTHETIC TACTICS FOR A NEW NATURAL CONTRACT. TOWARDS A THIRD SPACE FROM SOUTHERN SENSIBILITIES

HACER(NOS)FUEGO: A CURATORIAL PROPOSAL IN PROGRESS

THE ABSTRACT WEFT: PAULINA BRUGNOLI AND THE MUSEO DE ARTE CONTEMPORÁNEO’S TAPESTRY

DE LA MUSEOLOGÍA, LA MUSEOGRAFÍA, LA EXPOGRAFÍA Y AFINES

Assessment of the Sitioviejo historical center in the Municipality Titiribí-Antioquía, as an industrial heritage category

THE PLOT: MIRACLE AND MIRAGE

A RESILIENT CURATORSHIP: ANCESTRAL HERITAGE AND CONTEMPORARY ART

DISCRIMINATION AND COLONIALITY IN THE ALGORITHMIC VISION. ARTISTIC APPROACHES FOR A CRITICAL REVIEW OF PEOPLE'S CLASSIFICATION

THE DOMESTIC EXPERIMENT. DOMESTICITY AND EXPERIMENTATION IN THE NICANOR PARRA HOUSE-LABORATORY

WEFTS AND MURMURS IN THE STORIES OF LATIN AMERICAN ART EXHIBITIONS

ARCHAEOLOGIES OF LOOKING: CRITICAL REACTIVATION OF THE VIDEO-INSTALLATION THE EXPULSION OF THE MOORS (1990) BY RAÚL RUIZ

THE PLURALITY OF A SINGULAR CONCEPT. “CHILEAN HOUSE: DOMESTIC IMAGES” (2020)

City, art, bodies: Resignifications of film space in Ema (Pablo Larraín, 2019)