Browsing Contrapulso: Revista Latinoamericana de estudios en Música Popular by Title

A dos décadas del primer encuentro con Philip Tagg en el contexto de IASPM-AL

González Moreno, Liliana. Contrapulso - Journal of Latin American Popular Music Studies; Vol 6 No 2 (2024): Contrapulso; 79-81

¿A fairy godmother at the servant dance? Ramona Galarza’s Argentinean littoral music records in the sixties

Adorni, Angélica. Contrapulso - Journal of Latin American Popular Music Studies; Vol 1 No 1 (2019): Contrapulso

A song forever? The evolution of pop music promotion, from the mezzanine piano to Spotify recommendations

Martínez-Gamboa, Ricardo. Contrapulso - Journal of Latin American Popular Music Studies; Vol 5 No 1 (2023): Contrapulso; 4-15

“An Evening with Salvador Allende”: from a suspended milestone to a suspension of the milestone

Ramírez Figueroa, Juan Carlos. Contrapulso - Journal of Latin American Popular Music Studies; Vol 2 No 2 (2020): Contrapulso; 3-16

Analysis of “Deus lhe pague” by Chico Buarque after 40 years

de Alencar Pinto, Guilherme. Contrapulso - Journal of Latin American Popular Music Studies; Vol 6 No 2 (2024): Contrapulso; 82-95

Ancestral languages and urban music: hip-hop through kichwa. The Nin, a case study

Pérez-Valero, Luis. Contrapulso - Journal of Latin American Popular Music Studies; Vol 5 No 2 (2023): Contrapulso; 40-53

Approach to the relationship between the Chilean metal scene and Mapuche, Selk’nam and Kawésqar indigenous cultures

Koplow Villavicencio, Jan. Contrapulso - Journal of Latin American Popular Music Studies; Vol 4 No 2 (2022): Contrapulso; 78-93

Barras y Métricas / Freestyle Revolution

Rodríguez Vega, Nelson. Contrapulso - Journal of Latin American Popular Music Studies; Vol 4 No 2 (2022): Contrapulso; 110-113

Bartolina Xixa dances in a garbage dump: body, sound and performance of a permanent coloniality

Díaz, Natalia; Pesci, Gianni. Contrapulso - Journal of Latin American Popular Music Studies; Vol 5 No 1 (2023): Contrapulso; 95-106

“Because tomorrow the boulevard will open”. The exile experience of Chilean musicians in Mexico: a space for the political-musical resistance of Chilean New Song

Luque, Candelaria María. Contrapulso - Journal of Latin American Popular Music Studies; Vol 6 No 1 (2024): Contrapulso; 56-72

Becoming enraged: Lemebel, Paquita la del Barrio and “the language of anger”

Jarpa Manzur, María del Pilar. Contrapulso - Journal of Latin American Popular Music Studies; Vol 4 No 1 (2022): Contrapulso; 19-36

Between flows and migrations in the Black Atlantic: the musical configuration of rumba and candombe of Buenos Aires

Ferreira Makl, Luis. Contrapulso - Journal of Latin American Popular Music Studies; Vol 4 No 2 (2022): Contrapulso; 60-77

Can Spaniards also be Latinos? Spanish identity in Latin popular music: C. Tangana’s case

Arias Salvado, Marina. Contrapulso - Journal of Latin American Popular Music Studies; Vol 2 No 1 (2020): Contrapulso; 20-34

Can women play heavy metal? Misogynistic affectivity in Brazilian heavy metal

Ourique, Julia. Contrapulso - Journal of Latin American Popular Music Studies; Vol 6 No 2 (2024): Contrapulso; 11-25

Cecilia Arellano y Mario Martínez. 2018. La voz popular. Caminos posibles del canto. Buenos Aires: Música Nuestra, 211 pp.

Salton, Ricardo Daniel. Contrapulso - Journal of Latin American Popular Music Studies; Vol 3 No 2 (2021): Contrapulso; 115-118