Portal de revistas académicas chilenas: Recent submissions
Now showing items 7921-7940 of 216242
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"Ultra Solo" by Polimá Westcoast ft. Pailita as a reference for the popularity of Chilean urban genre
. Contrapulso - Journal of Latin American Popular Music Studies; Vol 5 No 2 (2023): Contrapulso; 91-109 -
Ancestral languages and urban music: hip-hop through kichwa. The Nin, a case study
. Contrapulso - Journal of Latin American Popular Music Studies; Vol 5 No 2 (2023): Contrapulso; 40-53 -
El mensaje de Arme: planteamiento ético estético de una banda de rock otomí
. Contrapulso - Journal of Latin American Popular Music Studies; Vol 5 No 2 (2023): Contrapulso; 8-21 -
“Pedro Navaja”: a song designed like a comic
. Contrapulso - Journal of Latin American Popular Music Studies; Vol 5 No 2 (2023): Contrapulso; 72-90 -
María José Barros Cruz. 2023. La música de Ana Tijoux. Activismo, nuevas solidaridades y voces de la calle (Chile 1997 2020). Santiago: Fondo de Cultura Económica, 138 pp.
. Contrapulso - Journal of Latin American Popular Music Studies; Vol 5 No 2 (2023): Contrapulso; 137-141 -
Editorial
. Contrapulso - Journal of Latin American Popular Music Studies; Vol 5 No 1 (2023): Contrapulso; 1-3 -
Collaboretors
. Contrapulso - Journal of Latin American Popular Music Studies; Vol 5 No 1 (2023): Contrapulso -
Jineteadas and meetings of payadores: performance of payada from Rio de la Plata in Chile
. Contrapulso - Journal of Latin American Popular Music Studies; Vol 5 No 1 (2023): Contrapulso; 80-94 -
“La quebrá’ del ají”: legendary place and community in the work of Los Jaivas.
. Contrapulso - Journal of Latin American Popular Music Studies; Vol 5 No 1 (2023): Contrapulso; 31-47 -
The experience of the vocal group Santiago Cuatro and its members: modernization, tensions and projections
. Contrapulso - Journal of Latin American Popular Music Studies; Vol 5 No 1 (2023): Contrapulso; 48-62 -
From the LP Siembra to the single “La gozadera”: the mestizo myth of Latin American integration
. Contrapulso - Journal of Latin American Popular Music Studies; Vol 5 No 1 (2023): Contrapulso; 16-30 -
“The Way I Loved You”: love and suffering in popular song
. Contrapulso - Journal of Latin American Popular Music Studies; Vol 4 No 2 (2022): Contrapulso; 18-31 -
Paulina Briceño (A.K.A Brita la Matriarca). 2021. Ser Bgirl. Filosofía del Hip Hop. Santiago: Autoedición, 240 pp.
. Contrapulso - Journal of Latin American Popular Music Studies; Vol 4 No 1 (2022): Contrapulso; 128-131 -
Barras y Métricas / Freestyle Revolution
. Contrapulso - Journal of Latin American Popular Music Studies; Vol 4 No 2 (2022): Contrapulso; 110-113 -
Dosier Música, sentimientos y afectos
. Contrapulso - Journal of Latin American Popular Music Studies; Vol 4 No 2 (2022): Contrapulso; 4-7 -
Editorial
. Contrapulso - Journal of Latin American Popular Music Studies; Vol 4 No 2 (2022): Contrapulso; 1-3 -
Collaboretors
. Contrapulso - Journal of Latin American Popular Music Studies; Vol 4 No 2 (2022): Contrapulso -
“Qué gris estaba la tarde”: legitimation in the music of Mazapán of objected childhood emotions
. Contrapulso - Journal of Latin American Popular Music Studies; Vol 4 No 2 (2022): Contrapulso; 32-44 -
“Folk Consciousness”: The patriotic feeling reaffirmed by the discourse of the magazine Folklore (1961-1981)
. Contrapulso - Journal of Latin American Popular Music Studies; Vol 5 No 1 (2023): Contrapulso; 63-79 -
Maternal thought, affections and emotions in the song “Parto” (2015) by the duo Barone-González
. Contrapulso - Journal of Latin American Popular Music Studies; Vol 4 No 2 (2022): Contrapulso; 45-59