Aisthesis: Revista Chilena de Investigaciones Estéticas: Recent submissions
Now showing items 1701-1720 of 2158
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Challenges for an Art Theory: Aesthetic Experience, Institution and Social Functions
. AISTHESIS: Revista Chilena de Investigaciones Estéticas; No. 51 (2012); 79-92 -
«The House of Asterion» by Borges: Becoming-minor and Myth Deterritorialization
. AISTHESIS: Revista Chilena de Investigaciones Estéticas; No. 51 (2012); 159-170 -
Coloniality, Modernity and Representations in Today’s Latin American Cinema: From Memories Of Underdevelopment To Pizza, Beer, Fag
. AISTHESIS: Revista Chilena de Investigaciones Estéticas; No. 51 (2012); 125-140 -
Image, Mediums and Telecoloniality: towards a Decolonial Criticism of Visual studies
. AISTHESIS: Revista Chilena de Investigaciones Estéticas; No. 51 (2012); 109-123 -
Chimbote in El zorro de arriba y el zorro de abajo by José María Arguedas: in between the Urban and Rural Society
. AISTHESIS: Revista Chilena de Investigaciones Estéticas; No. 51 (2012); 141-157 -
Formation of Modern art in Colombia: Raising a Research Hypothesis
. AISTHESIS: Revista Chilena de Investigaciones Estéticas; No. 51 (2012); 93-107 -
Art and Political Resistance in (and to) the Societies of Control. A Flight through Deleuze
. AISTHESIS: Revista Chilena de Investigaciones Estéticas; No. 51 (2012); 35-56 -
SOFISTAS, pensamiento y persuasión
. AISTHESIS: Revista Chilena de Investigaciones Estéticas; No. 52 (2012); 493-496 -
Political Grieves: Cinematographic Reactions. Melancholy Resistances in Chilean Contemporary Cinema
. AISTHESIS: Revista Chilena de Investigaciones Estéticas; No. 47 (2010); 15-32 -
Strategies for (Not) Forgetting: Notes on Two Chilean Documentary Films of the Post-Dictatorship
. AISTHESIS: Revista Chilena de Investigaciones Estéticas; No. 47 (2010); 45-63 -
Emergent, Dominant and Residual. An Approach to the Manufacturing of The Popular by the New Chilean Cinema (1958-1973)
. AISTHESIS: Revista Chilena de Investigaciones Estéticas; No. 47 (2010); 64-82 -
Unrealized Paths in Political Chilean Cinema. Parody, Estrangement and Reflexivity
. AISTHESIS: Revista Chilena de Investigaciones Estéticas; No. 47 (2010); 128-141 -
Is There an Active Audience? : representation and Identifi cation of The People/Mass in El Chacal de Nahueltoro
. AISTHESIS: Revista Chilena de Investigaciones Estéticas; No. 47 (2010); 100-114 -
Politics of an Absence
. AISTHESIS: Revista Chilena de Investigaciones Estéticas; No. 47 (2010); 142-155 -
Film Editing Tendencies in Sergio Bravo’s Filmography
. AISTHESIS: Revista Chilena de Investigaciones Estéticas; No. 47 (2010); 83-99 -
Raúl Ruiz Through the Looking Glass: from Representation to Allegory
. AISTHESIS: Revista Chilena de Investigaciones Estéticas; No. 47 (2010); 113-127 -
Politics in Transit: Chilean Cinema (2008-2010)
. AISTHESIS: Revista Chilena de Investigaciones Estéticas; No. 47 (2010); 33-44 -
The Inaccessibility of Truth: The Elusive Deer of Identity
. AISTHESIS: Revista Chilena de Investigaciones Estéticas; No. 44 (2008); 53-66 -
Methodological Proposals and Approaches for a Historical and Theoretical Study of Dance
. AISTHESIS: Revista Chilena de Investigaciones Estéticas; No. 43 (2008); 85-98 -
Between Kinesphere and Atmosphere. Choreography by Sasha Waltz at the Berlin Jewish Museum
. AISTHESIS: Revista Chilena de Investigaciones Estéticas; No. 43 (2008); 71-84