Universidad Alberto Hurtado: Recent submissions
Now showing items 61-80 of 1972
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A song forever? The evolution of pop music promotion, from the mezzanine piano to Spotify recommendations
. Contrapulso - Journal of Latin American Popular Music Studies; Vol 5 No 1 (2023): Contrapulso; 4-15 -
Dossier Voces y vocalidades en música popular
. Contrapulso - Journal of Latin American Popular Music Studies; Vol 3 No 2 (2021): Contrapulso; 3-5 -
Approach to the relationship between the Chilean metal scene and Mapuche, Selk’nam and Kawésqar indigenous cultures
. Contrapulso - Journal of Latin American Popular Music Studies; Vol 4 No 2 (2022): Contrapulso; 78-93 -
From the voice to the symbol: Amália and Gardel as Port song stars
. Contrapulso - Journal of Latin American Popular Music Studies; Vol 4 No 1 (2022): Contrapulso; 4-18 -
El incendio del poniente (1984) in the Argentine democratic spring: folklore and youth in the solo album by Jacinto Piedra.
. Contrapulso - Journal of Latin American Popular Music Studies; Vol 4 No 1 (2022): Contrapulso; 89-101 -
The traditional paradigm of Cuarteto Cordobés. Sounds, words and stories
. Contrapulso - Journal of Latin American Popular Music Studies; Vol 4 No 1 (2022): Contrapulso; 37-53 -
The voice of Mercedes Sosa for the poetry of Armando Tejada Gómez. An analysis of interpretation as a contribution to the study of singing
. Contrapulso - Journal of Latin American Popular Music Studies; Vol 4 No 1 (2022): Contrapulso; 75-88 -
“Química”, by Mauricio Redolés: a chronicle of the student movement during the Chilean military dictatorship
. Contrapulso - Journal of Latin American Popular Music Studies; Vol 4 No 1 (2022): Contrapulso; 102-117 -
Mysterious “Azabache”: contextualization and analysis of Astor Piazzolla’s first arrangement for the Aníbal Troilo orchestra
. Contrapulso - Journal of Latin American Popular Music Studies; Vol 4 No 1 (2022): Contrapulso; 54-74 -
Editorial Team
. Contrapulso - Journal of Latin American Popular Music Studies; Vol 3 No 2 (2021): Contrapulso -
Editorial
. Contrapulso - Journal of Latin American Popular Music Studies; Vol 4 No 1 (2022): Contrapulso; 1-3 -
Collaboretors
. Contrapulso - Journal of Latin American Popular Music Studies; Vol 4 No 1 (2022): Contrapulso -
Between flows and migrations in the Black Atlantic: the musical configuration of rumba and candombe of Buenos Aires
. Contrapulso - Journal of Latin American Popular Music Studies; Vol 4 No 2 (2022): Contrapulso; 60-77 -
Editorial Team
. Contrapulso - Journal of Latin American Popular Music Studies; Vol 4 No 1 (2022): Contrapulso -
Nelson Varas-Díaz, Daniel Nevárez Araújo y Eliut Rivera-Segarra eds. 2021. Heavy Metal Music in Latin America: Perspectives from the Distorted South. Lanham, Maryland: Lexiton Books, 361pp.
. Contrapulso - Journal of Latin American Popular Music Studies; Vol 4 No 1 (2022): Contrapulso; 118-122 -
Gabriel Chacón, Felipe Godoy, Cristofer Rodríguez y César Tudela. 2020. 200 discos de rock chileno. Una historia del vinilo al streaming. Santiago: Ocho libros, 446 pp.
. Contrapulso - Journal of Latin American Popular Music Studies; Vol 4 No 1 (2022): Contrapulso; 123-127 -
Collaboretors
. Contrapulso - Journal of Latin American Popular Music Studies; Vol 3 No 2 (2021): Contrapulso -
Editorial
. Contrapulso - Journal of Latin American Popular Music Studies; Vol 3 No 2 (2021): Contrapulso; 1-2 -
Sound sinuosities: the kenkos as spirals of the voice in the Canto con Caja of northwestern Argentina
. Contrapulso - Journal of Latin American Popular Music Studies; Vol 3 No 2 (2021): Contrapulso; 57-73 -
Records that frighten the literate elite: música de carrilera and rural modernity in Colombia during the mid-20th century.
. Contrapulso - Journal of Latin American Popular Music Studies; Vol 4 No 2 (2022): Contrapulso; 94-109