• Deconstructing the figure of the villain in the television series Once Upon a Time 

  Linares-Barrones, Álvaro; Martínez-García, Ángeles. Comunicación y Medios; Vol. 34 No. 51 (2025): Democracy in the age of hypertelevision; 78-90

• Transforming entertainment: Including ads on Netflix series 

  Cortés-Quesada, Jose Antonio; Fernández-Gómez, Erika; Feijoó, Beatriz. Comunicación y Medios; Vol. 34 No. 51 (2025): Democracy in the age of hypertelevision; 93-106

• Illuminated by Reality: An Interview with Giselle Munizaga (1938–2025) 

  Donoso Pinto, Catalina. Comunicación y Medios; Vol. 34 No. 51 (2025): Democracy in the age of hypertelevision; 204-207

• Ficción Marica: Diversidad y disidencia sexual en el cine chileno de Roberto Doveris 

  Montero, Loreto. Comunicación y Medios; Vol. 34 No. 51 (2025): Democracy in the age of hypertelevision; 214-215

• Youth, video games, and digital leisure: Consumption, uses, and meanings 

  Ábalos, Consuelo; Montero, Loreto; Sánchez-Sepúlveda, Juan Pablo. Comunicación y Medios; Vol. 34 No. 51 (2025): Democracy in the age of hypertelevision; 14-23

• Tekné 

  Lagos Lira, Claudia; Peters, Tomás. Comunicación y Medios; Vol. 34 No. 51 (2025): Democracy in the age of hypertelevision; 08-12

• Análisis de la ficción televisiva española de Concepción Cascajosa y Javier Mateos-Pérez 

  Antezana Barrios, Lorena. Comunicación y Medios; Vol. 34 No. 51 (2025): Democracy in the age of hypertelevision; 210-211

• David Perlov. La imagen bisagra como pensamiento cinematográfico intersticial de Paola Lagos 

  Sourdis, Carolina. Comunicación y Medios; Vol. 34 No. 51 (2025): Democracy in the age of hypertelevision; 212-213

• “A brand to strengthen credibility”: Self-representation and personal branding of peruvian journalist in X 

  Palomino-Gonzales, María; Perleche-García, Johana. Comunicación y Medios; Vol. 34 No. 51 (2025): Democracy in the age of hypertelevision; 39-53

• Analysis of the interactive, technical and narrative factors of Claudia Sheinbaum's TikTok 

  Uruchurtu-Pestaño, Anna; León-Duarte, Gustavo. Comunicación y Medios; Vol. 34 No. 51 (2025): Democracy in the age of hypertelevision; 176-189

• Information pluralism and media ownership concentration: The case of El Comercio, Peru 

  Alarcón, Gilmer; Cardenas, José. Comunicación y Medios; Vol. 34 No. 51 (2025): Democracy in the age of hypertelevision; 108-119

• Eco-territorial Cinema, Memory, and Extractivism in the Ecuadorian Amazon 

  Vanegas-Toala, Yadis; León, Christian. Comunicación y Medios; Vol. 34 No. 51 (2025): Democracy in the age of hypertelevision; 65-77

• El placer del cine. Conversaciones sobre análisis cinematográfico de Lauro Zavala 

  Domínguez Cáceres, Roberto. Comunicación y Medios; Vol. 34 No. 51 (2025): Democracy in the age of hypertelevision; 216-217

• “They lacked strategy”: The press management of feminist, indigenous, and environmentalist groups in the Chilean constitutional convention 

  Álvarez, Mario; Del Valle, Carlos; Silva, Francisca. Comunicación y Medios; Vol. 34 No. 51 (2025): Democracy in the age of hypertelevision; 26-38

• Misinformation and polarization in the 2023 elections in Spain: a study of Vox on Instagram 

  Colussi, Juliana; Zaharía, Ana María; de la Garza Montemayor, Daniel Javier. Comunicación y Medios; Vol. 34 No. 51 (2025): Democracy in the age of hypertelevision; 190-202

• Women candidates on television: the Panama 2024 election campaign 

  Urribarri, Raisa. Comunicación y Medios; Vol. 34 No. 51 (2025): Democracy in the age of hypertelevision; 133-148

• Presence of women in peruvian television fiction series (2023): Narrative challenges in female representation 

  Alarcón-Llontop, Luis-Rolando; Antón-Chávez, Alina; Clavijo-Correa , Jorge. Comunicación y Medios; Vol. 34 No. 51 (2025): Democracy in the age of hypertelevision; 149-161

• Narrative Structure in the 39 Most Viewed YouTube Videos on the 2021 Colombian National Strike 

  Alba-Sanabria, Sandra; Sotelo, María Paula. Comunicación y Medios; Vol. 34 No. 51 (2025): Democracy in the age of hypertelevision; 162-175

• Local television practices in Cuba. Bases for its reconceptualization from digital contexts 

  Rodríguez-Bazán, Grettel; Viamonte-Sardiñas, Samuel. Comunicación y Medios; Vol. 34 No. 51 (2025): Democracy in the age of hypertelevision; 120-132

• Raúl Ruiz and the Voices of the Chilean: The Soundtrack in 'Nadie dijo nada' (1971) and 'Diálogo de exiliados' (1974) 

  Moure, José María. Comunicación y Medios; Vol. 34 No. 51 (2025): Democracy in the age of hypertelevision; 54-64

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